Tuesday, April 26, 2016

Remember Me - Mourning Jewelry by Karen McGovern

It's such a shame our friendship had to end.

Once again we are hit in the gut with loss. Prince? Really? PRINCE????

2016 can kiss my a**.

This one hurt me more than I ever expected. Prince Rogers Nelson was a huge influence for me during that wonderful, horrifying time of my life called ADOLESCENCE. When I was trying to figure out who and what I wanted to be in life. His music defined at least a decade of my life and I am torn up with the loss of this vital, amazing, spectacularly talented individual. I'm gutted.

On the heels of LMAJ's David Bowie blog hop where we all created designs inspired by Bowie, recent events have me thinking about a traditional form of jewelry design that many of you may not be familiar with--mourning jewelry.

For hundreds of years, people wore jewelry specifically created to commemorate a loved ones death. Bits of hair and bone worked into intricately elaborate jewelry designs treasured for generations. Rings, brooches, lockets and more created in memory of a family member's death. This was especially popular pre-photography, when these incredible designs were literally the only way to remember someone and honor their passing. I find this jewelry deeply moving and incredibly fascinating. Mourning jewelry has been around since at least the 16th century, but is mostly associated with the Victorian era, when mass production made it more affordable. Members of the royal family would wear mourning jewelry for decades. 

Designs were over the top elaborate, like George and Martha Washington's amazing brooch featuring hair from both, rubies, gold and more. Faceted quartz crystal was used to cap bezels containing amazingly detailed scenes created with the deceased hair and sometimes bone. There was often an inscription on the back of pendants and brooches, and on the inside of ring bands. Stunning, deeply personal works of wearable art.

While the trend in mourning jewelry has basically passed, many artists still create some form of this today, myself included. Perhaps one of the most intimate and reverent work I have created to date was a pendant I made for a family that had lost their son while mountain climbing. I created a vessel pendant to their specifications for this man's mother to keep a bit of her son's ashes. I was humbled by the request.

Below are examples of historic mourning jewelry--all are just beautiful.


In closing--I first heard "When Doves Cry" on a beach in Traverse City, Michigan. I remember the exact moment. I don't know what it was that blew my mind more, the lyrics, the voice, or the incredible guitar. I was 17. From that moment on I was a obsessive fan. I bought every record, and played them endlessly. I was also an aerobics instructor. I played Prince in my classes constantly. Every time. It didn't matter how racy or risky or strange the song was I worked it into some sort of a fitness routine. I remember teaching a class that was absolutely packed--stomping to "Baby I'm a Star". We fogged the windows in the gym, and people came in off the street and see what the Hell was going on. I remember the one and only Prince concert I got to attend. I nervously wore a red leather mini-skirt. I'm not exactly a red leather mini-skirt kind of girl, but at that time, I wanted to be anything that I thought Prince would want me to be. I was in the third row center stage, staring with worshipful wonder at this tiny elf of a man destroying a guitar. I will never forget it. I will never forget the music, I will never forget the impact it had on me when I was a young girl trying to figure out what I wanted to be when I grew up. Prince said I could be anything.

Tuesday, April 19, 2016

Wonderfully Weird by Karen McGovern

First, I would like to thank everyone for joining us on the David Bowie Blog Hop last week. That was so fun, and it was amazing to see all the beautiful and wacky Bowie-inspired designs created. That blog hop was especially fun for me because I love to think outside the conventional jewelry box, and what better inspiration than Bowie???

That leads into today's post--working with the weird and unusual. I have always been drawn to unconventional materials and gemstones, and lately I have been working with some fabulous materials like natural surface gemstone cabochons, Fordite, and oddly shaped materials like fossils. Weird shapes, cuts and surfaces can be a challenge to set, and can also lead to some really fun and new ways to think about setting gemstones. Here are three ways I set odd shapes and materials.


Pin it - I am a big fan of cold connections. If you have a weird material like a funky fossil or shell, consider cold connections if traditional bezel sets won't work. Can you drill it? Can you sand or grind the back flat? If so, use a micro screw or rivet to set the material on a flat base. I often rivet or micro screw fossil coral and soft material like turquoise and river stones. I prong set the Rio Grande Rustic on a flat sterling base, then also pinned it in place when I set the faux succulent. You just need to know your material and what it can take drill-wise. Yes, I have cracked and broken material in my early days of drilling. I'm still not great at drilling stones, but I'm learning....That is another post for another day and Staci Louise has posted great info on drilling....look  her up.

Partial bezel or combo prong/bezel - Totally odd shape but flat back? Consider a partial bezel mixed with prongs. Use bezel wire where you can, fill the rest with prongs (I usually don't go thinner than 14 gauge wire for prongs) to grab the stone. I do this A LOT. Especially with teeth, bone and fossils. In the slideshow you will see a ring I made from an antelope tooth (you heard me...). I used bezel wire and prongs because the tooth had a smooth side (bezel wire) and a not smooth side (prongs). This type setting also works with material that is thick or taller than conventional bezel wire. You can set using bezel wire for a  "frame", but also use prongs to secure the material in place where it exceeds the height of the bezel wire. I did this with the garnet in schist pendant in the slideshow.

Grab it like Alien - This is also one of my favorite ways to set odd shapes. Build a "wheel" with prongs like spokes and grab the stone. I did this with the malachite and fairy stone pendants you see in the slideshow.

Bottom line, don't shy away from material you may like because you don't think you can set it. There is always a way!!!

Now, I will share with you my favorite weird gemstone dealer--Angela Fowler. She and her husband gather and cut the COOLEST STONES ON THE PLANET. I have to carefully monitor the time I spend on her Facebook page, I have little self control when it comes to her stuff. Three words--Rio Grande Rustics. OMG. Soooooo amazing. I'm addicted to her stones, man. Tell her I sent you and thank me later.

Show us how you set weird material! We'd love to see what you are working with. 

Now, go make something AMAZING!

Monday, April 18, 2016

One more time...Pattern Wire


About a month ago, I started posting about different ways that I could incorporate pattern wire into my jewelry, specifically, the wire below (purchased from Rio Grande).


One of my customers saw this picture on Facebook and asked me if I could make a bangle bracelet from the flower wire (4th one from the top, in the picture above), and of course, I told her I would try.

Now, I have seen quite a few cuffs made from this wire, on various internet sites.  BUT, once, I got to designing, I was very uncomfortable using this wire in something that could get banged up pretty easily. Personally, I do not wear bangles anytime I have to type, as the constant banging of the metal on my desk drives me bonkers. In my opinion, this wire is way too "flimsy" for a bangle.  Even though I tried hardening the wire with both my rawhide and plastic hammers - I could still bend it  out of shape with my bare hands. Construct-ability and durability of any design is as important to me as the aesthetic.

But, I was determined to make some sort of bracelet with this wonderful texture. So, I riveted a slice of this wire to some 18 gauge sterling silver and made a cuff instead.


Yup - it's big and bold (1" wide), but I rather like the how the shiny silver works with the pattern wire.




The earrings below were a much simpler design solution - Pendulum Earrings. I had a blessed session with the liver of sulfur - I never get colors this rich!



Lastly, I made a pair of hoops - post style. 


This particular pattern wire is HEAVY - thank goodness - giving me plenty of room to solder on the post (not the case in all pattern wire).



I have thoroughly enjoyed this journey of using pattern wire throughout my designs and hope to find new ways to incorporate these wonderful textures in new ways! I have learned what works, what does not work, and how to find alternate solutions.


Thanks so much for stopping by today - I hope this has inspired you to try this wonderful material!


Friday, April 15, 2016

3 breaths

mjd - 2016 - 3 breaths

in my young adulthood i learned the practice of stopping during the day to take 3 deep breaths. inhaling through the nose to the count of 5 and exhaling through the mouth with slightly pursed lips to the count of 7, quickly showed me how shallowly i was breathing in my constricted, tension-filled chest.  


mjd - 2016 - 3 breaths

a deep sense of peace, awareness and grounding immediately were felt and i found myself returned to the present with an awakened mind. to this day, i often notice that some of my senses are heightened for a bit afterwards. one of the greatest benefits (to my thinking) of having a practice that is grounding is how it can turn knee jerk reactions into thoughtful responses because you can take a step back from your emotions instead of being engulfed by them. we all get triggered, but at least we come at it from a more stable, less inflamed base. 

mjd - 2016 - 3 breaths

these are my interpretation of the tibetan buddhist 108 bead mala. in place of the guru bead, i have placed 3 makers (in copper, sterling or sterling and gold) to remind you of the breathing practice and to move you through it. 





Thursday, April 14, 2016

David Bowie Blog Hop

by Staci Louise Smith

"The stars look very different today" - Space Oddity

I think this lyric really sums up how it feels with no David Bowie in our world anymore.


So we are excited to honor him, to keep his stardom shining through our art.  





If you have made a piece to honor David Bowie and blogged about it, please add the blog link to the inlinkz below.








Wednesday, April 13, 2016

David Bowie Blog Hop

by Staci Louise Smith

The David Bowie blog hop is tomorrow!  Come here in the morning, and you can add you link to your blog post, and hop along to see everyone's pieces and read about their inspiration.

I will be honest, my piece is still only sketches, but it will be done for tomorrow!  

Here are links to other posts on the blog hop for more information and details.



(please note the date has changed for the hop from the original date.  it is tomorrow, 4/14/16)




As for me, I think I have decided to use pictures of David as inspiration, since his photo shoots and fashion were every bit as much a part of his art as his music.  

Having a love of wild fashion and a deep respect for anyone willing to break the molds of society, I am deeply moved by all the wonderful stages of his life long transformation and growth.

Anyhow, we do hope you will join us!  Make your piece, write a blog about it and the inspiration and link up here tomorrow morning.

We do ask that if you add your blog, that you check back through the day and take time to read everyone else's blog as well (and leave a comment, cause everyone likes to see who is reading their blog!).  We really hope to create a sense of community between artists as we honor this rock / creative legend.

'Till tomorrow!


Friday, April 8, 2016

A little on inspiration vs. copying

by MaryAnn Carroll

Every now and again, I've heard of things coming up where people feel their work is being copied. I, personally, don't worry about that too much because I believe an artist that is true to themselves will always have work that outshines anyone who tried to imitate. And there will always be people that don't know the difference, but does that really matter in the big scheme of things?

I find that getting "inspired" by others work is a motivator. Sometimes when I am in a slump, I might see something that I like and it gets my brain stirring with all kinds of ideas.

Take for example, this beautiful necklace created by Karen McGovern. Check out more of her work.


Lovely, isn't it? I think so.

I looked at the shapes of the stones, which I really like, and decided to make a bunch of pendants with a similar shape.


I'm not sure how I will be using these since my thinking cannot process that far in the future. I was thinking of using a very cool crawl glaze on these when I get to that point. These still have to be cleaned up and bisque fired before I do anything else. I'll share some pics when I'm done.

So, what is your take on the topic?

Inspiration or copying?





Wednesday, April 6, 2016

Bead Fest Philadelphia

by Staci Louise Smith

This Friday is the first day of the last Spring Bead Fest to take place in Philly.
(don't worry, the August show will still be held here)

Bead Fest Spring is where it all began for me.  It was my first big bead show AND my first time visiting friends I met online (gasp!)

2013???  2014?  Spring meet up

It has since become something I look forward to each year, and I will sorely miss the chance to come out of winter hibernation and get to see my beady creative friends in April.

I am not vending, and there are no planned meet ups or swaps this year.  However, there are still friends I plan to see there, and I am teaching all day on Sunday as well.

If you have not been to this bead show, and you are in driving distance, you should come out.  It is such a nice show.  I know I like to stock up on my gemstone strands at the beginning of the season.

If you have online friends in the area, have them meet you for lunch.  Diana Ptaszynski of Suburban Girl Studio used to organize a fun bead swap and it was a great way to score some new beads and make new friends.

Not only did I meet a lot of great people that way, I made actual friends!  I love connecting with people from far and wide. 
I am not sure what year this was....maybe 2012?

Don't even get me started on the FUN parties that Melinda Orr would put together for the August Bead Fest.  That was a whole other bonding experience!



 Anyhow, I love that we all can find something we have in common and can remain friends online.  These ladies I have met at Bead Fest has not only been online friends, but they have been REAL friends to me.  Giving me rides to a show, staying over with me before my first time teaching for moral support, watching my booth for me while I teach, that is just a small example of the great friendships that have grown over something as simple as a love of beads.  I am so thankful for their friendship and support.  All because someone like Diana took time to organize a swap!  

here we were doing a mini practice class with Erin Siegel


Diana our lovely swap host
photo by Dianne Bachelor Miller

So just do it.  Yes its awkward at first, for like 5 seconds, when you meet someone from online, but then you see beads and you start to shop and talk and time just flies!!!  It is so very worth it!


I will be around shopping on Saturday, so if you want to meet up, shoot me a facebook message on my business page.

You will probably find me lurking around 
Jenny Davies-Reazor # 522 

and Marsha Neal Studio's # 520 booths!  

So make sure to stop by and say HI to them and make sure to fondle all their lovely beads.  I know I have a list of what I need to get from them!

If you need a coupon to get in, save and print this picture and save $$$ at the door!



On Sunday I will be teaching all day.  Here is a link to the classes. Online registration is closed, but you can still sign up at the show if you are interested.


First thing in the morning, 8:30-11:30 am I will be teaching this Wild Wire Choker.

It's a really fun class that introduces you to working with larger wire in long pieces to create large focal pieces for your beads.  It is also a great class to practice those wire wrapped loops and learn to work wire while it being free form enough that there are no real mistakes!  Let go and have fun with wire!

Then, at 1-4 pm I will be teaching this Polymer Clay Carving Class.  Carving polymer clay is one of my most favorite things to do!  There are a million ways to use it.  This is an intro class, that will give you the basics, your play and creativity can take it anywhere!

So, I am frantically prepping for my classes (making kits is a laborious task, but I love it!)

 bead blanks to carve


 wire rolls for kits


 student practice blanks to carve


polymer kits sponsored by Polyform

 bronze for wild wire choker kits

wood blocks to raise carving surface for carving class

I am also trying to get some bead inventory made to sell in my classes.  


I am sure to be tired if you see me wandering around, but I will be ready to shop and talk anyway.  Look for my bright turquoise hair and flag me down!  
me- turquoise hair!!!

I would love to meet up and chat.

I do hope you will come out.  Organize a meet up.  Make a friend, shop for beads.....you won't regret it.  Even if you get really really lost (you know who you are!...lol)

 Hope to see you this weekend!

Monday, April 4, 2016

Pattern Wire....continued


My post two weeks ago touched on a new-to-me technique using sterling silver pattern wire - a great way to add dimension and texture to projects. Just as I was starting my journey back to a healthy recovery, I was knocked down with an awful cold and eye infection that left my right eye swollen shut for 4 solid days. BUT...I am 99.9999% better now! Before my cold struck, I ordered just a bit more (understatement!) pattern wire..again, from Rio Grande.


So far, I have only managed to make two new pieces with this wire. For the first project, I chose to use the square pattern wire. I had only used 18 gauge square wire in the past and was fearful of the wire twisting on me when forming. But, this wire has much more heft, and the actual challenge was having an absolutely flush solder join for this bangle ... any sanding of excess solder and there goes that lovely pattern!


I added a little mixed metal charm, but the bangle alone would have been fine, I think.  


I apologize for the blurry photo below, but I wanted you all to see the nice thickness to this wire.


The last piece I made was that ring that I originally purchased the wire for in the first place. I FINALLY got my hands on a Labradorite cabochon that actually had the flash that I thought was out of reach for me -- every Labradorite I have purchased in the past lacked all flash.


Yes - that pattern wire was meant to be a ring shank! 



That's only a 10mm cabochon...but I happen to have the world's shortest fingers and rings always look so huge on my hands....sigh.


I hope to get to work on using more of this wire as the very next set of projects!

Thanks for stopping by today!!
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