Handmade Beads

by Patti Vanderbloemen

Boy...it has been quite some time since I have blogged here! It feels good to be back! :)

Personally, I have an affinity towards handmade beads - all mediums. I don't know about you, but I cannot count the number of "subscribed lists" I have signed up for to arrive in my email inbox, but I do at least glance at each and every "blog type" email that pops up in my mailbox feed -- always on the lookout for inspiration.. One of my favorite's is the Interweave Blog.

A couple of weeks ago, Tammy Jones had a post related to 1-hour rings.  In this post was a quick, down and dirty tutorial to make a sterling silver ring that resembled bamboo (if interested, here is the link to that blog post). The tutorial (by artist Elizabeth Ann Tokoly) starts with a sterling silver ring already soldered and formed. After reading through the steps involved, I felt a thick gauge wire would work best - so I grabbed 6 gauge.

I will say, the making of this ring took me 1 hour and 45 minutes - but that included forming the ring from such heavy stock - I had to anneal the metal several times just to get it formed for soldering. And then anneal several more times AFTER the soldering to get it round and to the correct size (why didn't I just grab 8 gauge?) :) Also, it is a bit cumbersome to saw the score lines around the ring - but it can be done.

 Anyway, it is a COOL ring, which I have gifted to a friend. (Forgive the picture quality - I just took a quick picture for reference purposes only).

This technique would be AWESOME for a bangle - which I will try in the future. In the meantime, I thought I would try making a little bead using this technique. For this bead, I grabbed some thick-walled sterling tubing.

I roughly measured the bead length to 3/4".

Cut the tubing to size using my tube cutting jig and jeweler's saw.

I made two little "end caps" for the bead by using my disc cutter and some scrap silver sheet - it's 18 gauge sheet, so it is thick.

I used medium silver solder paste to attach the first end cap to the tube - this is my set up.

After pickling - you can see that the excess overhang of the disc needs filing.

I used my ring clamp to stabilize the bead against my bench pin while I quickly filed away the excess silver.

The picture below is a bit blurry, but I filed the disc / end cap to be flush with the tubing.

Never EVER solder a hollow bead without first making a hole to allow steam to escape when soldering. Though I have not done it myself, I have read where nasty accidents can happen if the escape hole is not in place before closing up this hollow form. I simply put my bead in my vice and drilled a hole.

Second disc/end cap solder set up.

Pickled, then filed the second end cap / disc flush to the tubing/bead, and drilled the final hole.

Really hard to see in this picture, but I scored two parallel lines close to the ends of each bead, using my jeweler's saw - again using my ring clamp to hold the bead while sawing.

Now - this next step is the reason I used thick walled tubing. I used my tiny half round file to make four slight indentations around the middle of the bead.

I cleaned up the the bead with a pumice wheel on my flex shaft. (These are the pumice wheels I use).

Patina added (I use Midas Black Max - link here), buffed with steel wool, and tumbled. Liver of Sulfur works just as well, but Black Max is quicker and does not stink.  :) Always a plus!

One more tiny tip  (and of course, I forgot to take a picture). Before you tumble the bead, add the bead to a piece of wire (copper - it's cheap) and loop the ends. This will keep the shards of shot from getting stuck inside the bead while tumbling (this I have done...takes forever to release that shot!)

Now, this is not a perfect bead, but I rather like the organic look to this shape - would look great as a single bead on a bracelet, two beads for earrings, or even an entire chain if you have lots of time on your hands to create! Total time to make this bead for me (not including tumbling) was about 30 minutes.  So, while this technique is a bit time consuming, it is handmade and definitely not made in China! 

Anyway, the making of this bead was the bit of inspiration I need to kick off this brand new year. I wish you all a very Happy New Year!

Thanks for stopping by!

Drum-roll Please......

Happy Holidays!!! I hope each and every one of you had a lovely weekend filled with family, friends and fellowship. I bring you Holiday greetings from Ninita, our deaf pygmy marmoset. As you can see, she got just what she wanted...candy.

Now, on to the giveaway! As promised, I put all the names of those who left Christmas memory comments on my last week's post in a random name generator program (thank you Google). I want to thank all that shared a memory here, I loved reading each post. The holidays are such an emotional time...we all become little kids again. Thank you for your comments. AND NOW....The winner of my Beautiful Beast copper bangle is.....

TERRY REMPLE MROZ

Congratulations, Terry! I'll be tracking you down as soon as possible. Hope you like the Beast!

Thanks to all of our followers and supporters. I wish us all a fabulous new year full of creativity! See you next year!!

Jingle Those Bells! By Karen McGovern

Hello all! Hope your hearths are draped in garland, your trees are covered in tinsel, your stockings stuffed to bursting, and your SANTAUR is shiny and bright!

Nice six-pack, Santa! Seriously....dude has been hitting the gym....

I know we are all scrambling to get ready for next weekend and I wish you all a peaceful and joyous holiday. Eat too much, hug everybody, and let's all hope for a better 2017.

I'm not going to bore you with a long post--Instead, LET'S GIVE SOMETHING AWAY! My gift to you--a new bangle bracelet design (for me) that is big, beautiful, bold, burnt, and BODACIOUS. Eight inches around, hammered copper sheet and wire splashed with silver solder, colored with flame. Two inches wide, fit for a Viking Princess! I call it the Beautiful Beast. 

Here's what you do...in the comments below share a favorite holiday memory. On Tuesday the 27th I will put all your names into a random name picker and announce the winner here and on our Facebook page. SIMPLE!!! 

Enjoy the season, one and all. Remember to hold friends and family close, and take care of each other and yourselves as well. The critters and I wish you well...May we all enter 2017 healthy and happy!!

Dia de los Muertos REVEAL!!! By Karen McGovern

I have been so excited about our Dia de los Muertos design challenge! I have seen sneak peeks of works created and am blown away! Can't wait to see more. I will start by showing my most recent design.

I began with a gorgeous labradorite skull cabochon. Labradorite is one of my favorite materials to work with--it's electric! This skull is so full of fire, I wanted to make something really dramatic and over the top with it, so I created a nature inspired Sugar Skull pendant I call "Madre Espiritu" or Spirit Mother. I set the skull in sterling silver and flanked it with two cast bronze leaves on sterling stems. A steel and brass flower sits atop the skull with a brass bee. A tiny bronze dogwood blossom sits on the bronze bail above and a brass rose sits below the chin.  

I strung it on a length of flashing rainbow peacock pearls that match the flash of the labradorite. A tiny sterling silver skull hangs from a 2 inch extender. I love her! She is listed in my shop, just waiting for the perfect home....

Now, show us your designs based on Dia de los Muertos, a truly extraordinary holiday full of tradition and  meaning. THANKS FOR JOINING US!!!

Click the link below to show us your designs, link to your blog and share this blog hop. If you do not have a blog, you can still post images of your work!!

Sterling Silver Solder Filled Wire??

by Patti Vanderbloemen

While trolling the Rio Grande website one evening, I found a "new-to-me product" (no idea how long Rio has had this in stock, but I had never seen it):  Sterling Silver Solder Filled Wire (link here).  I tend to solder my jump rings when attaching a clasp, and I like to make my own chain...when I can. This name says it all - solder filled. So in theory, just make a jump ring, flux, fire...boom - closed jump ring.

Now I have tried fusing fine silver wire in the past for jump rings and chain, and for every 6 rings I would attempt to fuse, 3 would burn up in my way-too-hot flame, or I would not pull the flame away quick enough. Epic fail. I do know that practice makes perfect, but,I thought I would give this wire a try. Cost wise, the SS Solder Filled wire (as of this writing) is about $2.10 more per troy ounce than .925 Sterling Silver round wire.  I ended up purchasing 1 troy ounce of 18 gauge.

This is the description of the wire from Rio's website:

Solder-filled silver wire is a tri-metal wire: a solder core surrounded by a copper shell and a fine silver outer layer (solder core: 6%; copper and fine silver shell: 94%). The overall composition is sterling, but the fine silver outer layer provides a better finish and luster than sterling silver. The core eliminates the need for additional solder, simplifying production. This wire is ideal for making chains and jump rings. Simply flux and use. 

I not only wanted to test the ease of use, but also the strength. So, I chose an "ancient" chain link that really puts the links through the wringer. This is not really a tutorial for making the links, but rather I wanted to illustrate the steps I used to check the strength of this wire. The 18 gauge SS Solder Filled Wire is softer than .925 Sterling Silver wire, has a bright and shiny fine silver finish, and is very nice to work with.

This is the chain link I made and the design for this link is typically made from 20 gauge - but hey - I had 18 gauge!

I used one of my dapping punches that was approximately 1/2" wide to form a coil for my rings.

As everyone knows, anytime a join has to be soldered, it must be a PERFECT join. This is especially true for using this wire (and fusing fine silver jump rings, as well). After sawing out the rings, I set them up assembly-line style on my charcoal block, sprayed with Pripps flux, and proceeded to move the flame slowly around each ring. I will say - MUCH EASIER to get the solder to flow with this wire than to fuse fine silver wire.

Because the outer layer of the wire is fine silver, there was no fire scale (no pickle/clean up required) - and that is a huge PLUS.

Strength Test Number 1: To begin forming the links, place the jump ring near the bottom of round nose pliers and pull gently to make an oval shape.

In the picture above, the solder join is inside that little yellow circle. This area will receive the most stress from shaping the round link into an oval, thus a perfect test for the strength of this wire. 

Not every jump ring I made was perfect....which is why I chose this chain to test the strength of the wire.  Seriously - must have a perfect join before soldering!

Once you have formed the oval shape, grab the oval in the center and pinch with the round nose pliers to make a "bow tie" shape.

Turn the link around over the round nose pliers and bend it closed.

No...it's not perfect in my picture...I tweaked the shape a bit after wards!

Once you have your links formed, feed one looped end of one link through both looped ends of another ring, and rotate the links until they are "nestled".

Strength Test 2: I looped a small piece of copper wire to one end of my chain to act as a pulley and proceeded to pull the chain through successive holes in my draw plate. 

I ended up pulling the chain through 5 holes in the draw plate - from larger hole to smaller hole - which not only tested the strength of the links, but it really fine tuned each link so that they were the same size.

I have made this chain several times over the past couple of years, using 20 Gauge Sterling Silver wire. But, I wanted to make a comparison to the Solder Filled wire, so I made a few similar links using 18 Gauge Sterling Silver wire.

After forming my jump rings around the same mandrel, I took a teeny tiny piece of hard solder (for color matching purposes, there is more silver content in hard solder so I typically grab that box first).

Now, I forgot to take a picture but trust me - each link required a soak in pickle and clean up - something I DID NOT have to do with the SS Solder Filled Wire. Also, there is a reason this chain should be made with 20 gauge wire if using Sterling. The sterling silver - even though dead soft and heated (annealed) becomes very hard very fast.  

The image below shows the chain made with 18 gauge SS Soldered filled wire on the top (notice that beautiful shine) and 18 gauge sterling silver on the bottom.  The chain made with the 18 gauge SS Solder Filled wire is much more fluid.

Top Chain - made with 18 Gauge SS Solder Filled Wire
Bottom Chain - made with 18 Gauge .925 Sterling Silver Wire 

I ended up making myself a little bracelet with the completed Solder Filled Chain. I oxidized the chain first, tumbled, then I simply wired a pretty Silver-Flanked Orange bead from Tibet as my focal. I also added a little extender chain, made from jump rings - soldered closed - so that this bracelet is adjustable. 

I may actually keep this bracelet for myself, as I really do like the links on this chain.

I will definitely use this solder filled wire again - especially when I need a secure closure, such as a soldered jump ring for clasps, etc.

So tell me - have you experimented with any new materials lately? If so - please share, as I am always on the lookout!

Thanks so much for joining me today - have a great week!

Dia De Los Muertos - A Celebration of Life Challenge by Karen McGovern

Can you believe it is almost OCTOBER? I. Can. Not. I live in South Florida so the only way I know the seasons are changing anywhere else in the country is by noting the menu changes at Starbucks. Salted caramel pumpkin spice EVERYTHING is on the board, so it must be AUTUMN! When the menu changes to peppermit mocha I'll know I need to start Christmas shopping.

For those of you that do have the privilege of living where the weather patterns are more than "Hot" and "Freaking Hot", I hope you enjoy the change in temps and colors! I miss that--I'm from Michigan and I do miss the explosion of color October through November...send me some pics, okay??

October is a fun month for me. My birthday is in October. I am a HUGE fan of Halloween, and October leads right into another of my favorite holidays, Dia de los Muertos or Day of the Dead. 

Dia de los Muertos (November 1 and 2nd) is an extremely beautiful and meaningful Mexican holiday whose most famous feature is the creation and display of elaborately colored and embellished skulls called "Sugar Skulls". Coming on the heels of our Halloween, many confuse Day of the Dead with Halloween, but the two are completely different. Day of the Dead is a celebration of life, actually. Family members and loved ones who have passed are remembered with offerings of art and food--all in honor of these people's lives and transition through death. It's a beautiful holiday!


So, here at LMAJ we would like to challenge you to create something inspired by Dia de los Muertos. I have posted pics here of some of my past designs inspired by the holiday, along with a fellow LMAJ artist Staci Louise Smith. Staci creates amazing sugar skull beads and pendants! Use the month of October to become inspired, and perhaps to learn more about this holiday, then create something AMAZING. We will "reveal" our designs on Tuesday, October 25th, and encourage you to post images of your designs on that day (on the blog in the comments section and on our Facebook page) as well using the hashtag #lmajdod.

Top left - Alcohol inks on aluminum sugar skull pendant by Karen McGovern
Top right - Bronze clay sugar skull necklace by Staci Louise Smith
Bottom - Dia de los Muertos pendant in tribute to Frida Kahlo by Karen McGovern

It's not all pumpkins and bats--Dia de los Muertos is a holiday rich in tradition and love with nothing to do with our Halloween. Let's celebrate!

Another use for Copper Tubing!

by Patti Vanderbloemen

In writing this post for today, I did a quick search through this blog and realized that copper tubing has been used many, many times by the LMAJ artists...hoops, clasps, focals, bezels, bangles, beads, etc.  It is a wonderful material - widely available at your local hardware store - and, it is inexpensive. Here is my latest venture using this most versatile metal - bead connectors/links.

Before I start here - please wear eye protection when sanding and drilling metal! I also wear a respirator so that I do not breathe in any little fine particles of metal. (This is the respirator I use - with these filters). I only have one pair of eyes and one set of lungs.  

Grab some copper tubing - my sample below is manufactured for use in refrigerators - 1/4" wide.

This is my tube cutter - $7.00 at Home Depot and found on a hook right next to the tubing!

I know it has been addressed before on this blog, but it so simple to use this tube cutter.  Slip your tubing into the cutter and use the knob (orange, in this case) to tighten the grip.  

Rotate the little tube cutter around the tubing - each time, tighten the knob just a bit more.  After several rotations - the tubing is cut and NOT squished!  You can also use your jeweler's saw...but honestly...this is so simple!

I cut 7 soon-to-be links 7/8" long.

We are going to flatten these tubes with a hammer, which makes for a nice thick (but not too thick) link. Now, these are tiny links, and it is hard to flatten a small, round piece of metal without the tubing rolling and/or hitting the fingers. I hold one edge of the tubing with my parallel-action pliers (example- here), and hammer the other end on my bench block. Then, hold the now-flattened side with the pliers, and hammer the other end of the tubing flat.

The beauty of using tubing vs. copper sheet is that once flattened, the sides are nicely rounded and smoothed and you now have a nice heft to the metal.

At this point, I use a series of files to slightly round the edges and corners. Sanded correctly - there is NO VISIBLE SEAM on the ends of the copper.

Prior to sanding

I like to add texture to these connectors using hammers or stamps. Texture takes better to softened metal, which has hardened from the flattening.  So, I do a quick annealing of each link, air-cool, and pickle clean.  Anytime I will be adding texture to my metal, I do not quench the metal after annealing - there is a risk of the metal becoming brittle from the shock of the water.

Clean!

Next, I mark the holes on either end with a sharpie and give a starter tap with my nail punch.

You can use a hole punch to make the holes, but my drill was already set up in my flex shaft. Again, I am holding the link with my parallel-action pliers and drilling into a block of wood.  Be sure to drill slowly...nothing worse than flying metal! 

Using the drill bit will produce little burrs in the holes.

De-burr the holes with a small, round needle file.

For today's example, I am adding texture via a stamp. I always tape my metal to my bench block first.

If using the connectors for a bracelet, I like to add a slight curve to each link, using my bracelet bending pliers (example here). I love this tool - one quick squeeze, and it's done.

The slight curve allows the links to conform to the wrist...just a bit better fit than if left flat.

Connect the links with jump rings and a claps of your choice. All ready for patina and tumble!

Done!

By varying your textures, the options are endless!  The bracelet below features 7 links - each with a different texture.

This bracelet features textured links, with a tiny, sterling silver flower made from my shot plate soldered to the center of each connector. I also used sterling silver jump rings (soldered closed for security) to make this a true, mixed metal bracelet.

These bracelets fit like a dream!

I think these connectors would also make a pretty cool chain, or earrings, too. The uses are only limited by your imagination!

Thanks so much for stopping by today!