Monday, May 20, 2013

Boot Camp #3: Wire Work-Out

by Staci L. Smith

This Boot Camp is going to be all about working with wire.  We are gonna work out our wire skills and grow some muscles!!!!  Learning some very basic skills in wire can open a huge world of possibilities in jewelry design.



 sea glass swirls by Staci Louise Smith



Whether you are just jumping from stringing to wire work, or are an old pro, we hope to give you some information and inspiration to get your wheels turning. 

Boot Camp is all about you taking a new or existing skill, and getting creative with it- or, for newbies, even just trying it out.  I really hope that no one is shy here, because we all started somewhere, and we are all continuing to learn and grow.  So join in, share your attempts and successes in our flickr group, and join the fun.

I am no expert in wire wrapping, I have no formal training, I am not the tidy, measuring my wire and making each twist neat wire worker.  However, I will share what I know with you, and feel free to share as well, if you have more information then I have offered.


I thought I'd talk about some simple wire basics:
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There are three hardness's of wire, hard, half hard, and dead soft.  I always use dead soft for all my wire work.  It works easily, and holds it shape the best.  It is exactly how it sounds, its dead soft.

Hard and Half hard are springier, and they are mostly used for clasps and ear wires.
 

You also have many kinds of metal wire to chose from:

sterling silver: works easily, desirable, but expensive

silver filled: works a little tougher then silver, desirable, less expensive then sterling

copper:  works easily (more easily then silver), very inexpensive

brass:  works a little tougher then copper, inexpensive, doesn't antique as easily as silver and copper

annealed steel wire:  easy to work with, strong, must be sealed though or it will rust

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For today's intro, here is a little tutorial on wrapping a briolette so it has that extra wrapping to create an organic look.
 
First, chose your briolette.
 
 
 
I like to use the thickest wire possible without stressing the hole of the stone (you still have some flexibility and movement).  In this case, I chose 22g copper.
 
 
 
Cut a long piece- for this briolette I used 1' of wire, but I could have used more in hindsight.  It's better to have more then not enough.
 

Put the wire through hole, leaving about 1" on one side, and the rest on the other.
 

 
 
Turn the wires up, following the contour of the brio.
 
 
 
Cross them, straighten the long one at the point of the brio- so its centered- and wrap the short end around that wire.
 


 
 
Make your loop at the top.  Through the process, make sure you are centered over the brio.
 
 
 
Now, take the excess wire and wrap it semi-loosely down the brio until you reach the point where the hole is.
 

 
When you cover the hole, wrap back up and down until it is filled in thicker at the bottom then the top.   Make sure you finish at the top, and that it is wound tightly for the last couple times.  This is what will hold your wrapping securely. 
 
 

Trim and tuck your wire end in tightly so it won't catch on anything.
 

 
 
If you need more wrapping, cut another piece, and wrap tightly around the top, wrap in down and up and tuck both ends in. 
 
It takes a little practice, but I just love the look you end up, and think its worth wire to try it until you are happy with it. 
 

 
Well, I hope you will join us this month!  Can't wait to see what you guys do with wire work as your guide!



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Sunday, May 19, 2013

Paying Attention to Inspiration

Sometimes there are moments in life where you just have to slow down and put the pieces together...

Like years of doodling lines and making parts thicker. Which you know you have done that too - right? I did the above in an iPad drawing app (paper 53 is what the icon says).

And realizing that you have been collecting the tools - and purposefully gathering supplies...

Then just finding the time to sit and work those ideas out... Hammer in hand - banging through it, seeing the metal change looks and feels like magic - is this something I am creating? Was this not just something on paper?

And then picking up pieces and putting them together to have a finished project.

Mind you, not a final project - but rather a starting point where finishing one design opens a floodgate of ideas and confidence to try new things. To open yourself up to ideas that may have needed to in fact get drawn into a sketchbook for more looking at down the road when time allows.

I feel like recently I have been motivated and inspired by so many, and want to take a brief moment to say Thank You to a few women I consider great friends:

Thanks to Nikki Thornburg for showing me her wire frame (which she saw a variation somewhere - as we are all inspired by each other). I love how she is inspired to make artistic and high quality work - easy for anyone as she is so willing to demonstrate techniques on the fly. I cannot wait to be selling my work with her work at Bead and Button (booth #610) in June.

To Staci Louise for making such awesome work (including a lot of my new ceramic work).Her enthusiasm for creating her one of a kind pieces is contagious and makes me want to create. And I always feel special whenever I wear her jewelry. Connected to my friend and the great online community of artists & beady friends it reminds me of.

And to Brenda Schweder for her timing and skill at coming out with "Now that's A Jig", her Steel Wire Jewelry book, and having supplies at Bead Fest August and April where I have been getting more supplies, tools, jig forms, and inspiration. Steel has always been present in my life and I am delighted to be making a friend of it rather than be intimidated anymore. Questions are being answered and my confidence is growing.

And for everyone else in my life, however little or small the interaction - it all has an effect & I am determined to always find the positive - even through the struggles.

Hope your inspiration hits too as you try new things & fail at many attempts (as that is how you learn, gain experience, and find your voice by working through it)...
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Friday, May 17, 2013

My Favorite Inspirational Artists: Lynne Merchant

I have been making jewelry in wire and sheet metal now for about 7 years. Where does the time go?

But I wanted to quickly share a video with you that shows off the work and skill of an amazing wire artist, Lynne Merchant.

I remember quite clearly the excitement I felt when I first saw her work in a magazine article. Her work embodies a particular feel that I resonate strongly with and her story is every bit as interesting as her work. As a matter of fact, her work and her life experiences as a nomadic traveler were both very instrumental in influencing the way that I currently live my own life.

Her website has a wonderful page that links you do all the articles she has been the subject of, and this video is a treat for anyone interested in handmade jewelry as well. I love how she interacts with wire and has full presence with her jewelry practice.

I think her method of using jewelry making as a vehicle to explore her own being is what I admire the most about her. She has a personal integrity that is reflected by the way she teaches and in the final result of her astoundingly creative work.

Enjoy!




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