Tuesday, July 31, 2012

Guest Post: Making Your Own Tools by Laura Jane Bouton

I have been wanting to make a new tutorial on a piece of jewelry but I thought I should write one about the tools I have made for myself or had made for me to help me in my metalwork journey. I have only been making jewelry for about a year now and needless to say I don't have all the tools on my wish list, and my list is very long. As we all know tools can be very expensive, and when you are just starting out sometimes it is hard to afford  them. My desire to create is strong, so having the right tools to make my designs is very important and has pushed me to find solutions to help me in my metalwork.


I always like to add some dimension to my pieces, I have your average disc cutter and punches for doming, but I could not limit myself just to circles. I wanted to be able to make any shape I wanted and therefore was dreaming of a hydraulic press. I think we all know how much they cost so it was out of my reach. I was showing a picture of a press to my husband and telling him this is what I want for Christmas, ha ha, he then said I could make one with a car jack. Well needless to say I wanted to make it then and there and here she is.


So, know that if you have a car jack and know how to tig weld, or know someone who does,  you can  make your own manual press for doming your metal into shapes. I  am also very lucky because my husband is mister handy man in person and I also get a lot of help from my co-workers at my day job. I work in a factory that produces motorcycle parts, so I have quite a few welders on hand who can help me in these projects. I guess you can say that I make motorcycle parts by day and jewelry by night.



My one recommendation is to make sure that when you drill the four corner holes on the three steel slates that they are 100% lined up or it will not dome your pieces evenly. The columns are welded to the bottom and top bases, where as the middle block slides up and down on the four columns when cranking the car jack. In the picture above you can also see that there are loops welded to the corners of the top base and the middle block. Attached to these loops are spring coils that help guide the middle block up and down while using the press. Naturally the press is bolted to my work bench.



You can also make your own dies out of  cast acrylic or various objects. You can cut out any shape with your jewelry saw but  you need to use a spiral blade on your saw.








Here I cut out of the acrylic piece an oval shape. I also cut the same shape out on a piece of  brass metal sheet. After Taping the two pieces together I then sanded the inside edges of the oval cut out to make sure that they matched. The brass piece helps make your domed piece comes out more defined after pressing.
Don't forget to anneal you piece of metal, here I annealed a piece of copper.







You will also need some pieces of rubber too. When the press comes down it helps push the metal through the oval shape. I cut up some pieces of a rubber hot pad from my kitchen, it works just great!
Then put your metal piece on you acrylic die and the rubber on top as shown in the photo to the left.








I also tape everything together some what like a "sandwich" so things don't move around when you put it in the press.









Put everything in the press, obviously in between the bottom base and middle block. I also put a piece of green plexiglass on top of my "sandwich" which helps push the rubber and then forces the metal to push through the die. Eventually it will get harder to crank the handle, and the middle block can no longer move downward, that is usually a sign that the piece is domed.





Here is the piece after doming in the manual press. Now the possibilities here are endless, you could cut the piece out, enamel it and set it in a bezel or leave a small edge around the shape and cold connect it to a backing. My favorite is always making hollow forms, you could make another oval piece and solder the two together.




Here I used this steel die to dome out my sun pin. Once again my work came in handy, this piece is assembled to the exhaust pipe of a motorcycle. I used it also to dome out the sterling silver cover on the pin.


Here I have a smaller cast acrylic die that I used to make these small oval pieces. This is a project I am working on now. The oval piece will be cold connected with a wire rivet to the tear drop shaped backing. I have put it on hold because I can't seem to decide on what enamel color I would like, so I am still in the experimental  fase which is always so much fun!.







With this other piece from work I made these copper earrings. I form folded and textured them first and then I domed them in the press. This is  one of the good things about using the press, you don't loose your texture like you would with the punches.




With this piece, I cut out a triangle shape and made the domed part of this pendant.








Here I cut out the heart always using  a piece of cast acrylic and domed it in the press just like I describe above.






Now I realize that not everyone has a job like mine and all that is available there, so if you can't make a manual press know that you can get the same result with your bench vise. Follow the procedure I described above, make your "sandwich" (tape together your die, annealed metal, rubber, plexiglass ) and put everything in your vise. Even in one of my favorite metal smith books, "The Complete Metal smith" by Tim McCreight, he explains in detail how you can make your own dies and use your vise. If you don't have the book I highly recommend it, it has helped me many of times.

sandwich
vise










For the domed heart on the left I used the press, and with the domed heart on the right I used my vise. The heart made with the press is slightly higher than the one with the vise but I think they bother came out nicely. Before I made my manual press, I would use this vise which belongs  to my father-in-law and it is outside near the chicken coop.  I would have to go out there every time to dome my pieces, yes the desire to make jewelry is strong!!


As I mentioned before  I love to add dimension to my pieces, but I also love to create texture. I usually  use liver of sulfur on my pieces to oxidize them, I love how it brings out the texture. There are texture hammers available at jewelry supply stores but they can be expensive. Luckily both my husband and I are tool junkies and I had a few extra hammers that I could play with.


I used my disc cutter on my dremel to cut out a criss cross design on the square flat end of this hammer.



Here are some pieces I made using that hammer. I textured the side of the bezel on the ring and the side of the hollow form pendant.








Here, I still used my disc cutter to cut lines in the smaller end of the hammer. For the piece of copper on the right I did random strikes. With the piece of copper on the left I held the head of hammer in my hand like you do with stamping, and used another hammer to strike with. This way the texture comes out more uniformed.







Another one of my favorites is the screw driver. Those little squares are quite nice. I will admit that I did buy a texture hammer once,  however I have never used it. I like to use things I can find in my surroundings, I feel the final result is more organic which I prefer.








My final little invention is something I made to help me with enameling. I do not have a kiln and I don't know how to make one, at least not yet. Therefore I torch enamel and I needed some kind of grid to put my pieces on so I could torch from underneath, and this is the contraption I came up with.........


I drilled holes in the bricks to hold the two steel rods. Steel wire was also welded to some small steel rings which can slide onto the rods.This way I can adjust the space between the wire according to the size of the piece I am working on.



Here is a close up of how the wire is welded to the rings. If you can't tig weld, you can use some binding wire which is thinner and wrap each end around the rods. That was my previous set up before I moved on to this one. However I found with the micro torch, the thinner wire held up, but with my big girl torch the thinner wire would melt. This little invention can easily be set up and removed when you are not using it.



Torching enamel.........


Some more fun with enameling, here are some of the domed hearts I enameled on my grid. I did some sgraffito with the white heart and over torched it  in hopes of getting  "broken heart" look. Now though I have the urge to make another heart and solder the two halves together for a hollow form. The desire to create just never ends.........

Hopefully my little tutorial will help someone out there just getting started on their metal smith journey. I know how frustrating it can be sometimes when you want to create something and you don't have the right tools.  I am a self taught jewelry maker and I have learned such a great deal from online tutorials and books that are available out there in this world. I guess it is my way a giving back, and saying thanks to all those fabulous artist out there who so generously shared their knowledge.

Rusty and Lula

My two favorite studio friends when I am hammering, bending, torching metal into something fun to wear!!

You can find me here:

http://www.etsy.com/shop/LjBjewelry
http://www.facebook.com/LjBjewelry
http://laurajanebouton.blogspot.it/







Monday, July 30, 2012

It's Strut Your Stuff Monday!


As usual, the entries in our Strut Your Stuff Flickr pool are amazing!  Feast your eyes on these beauties!

By "All Wired Up Jewelry Designs"

About this piece:
Rose Cut Ruby Sterling and 18k Gold

Created on a roll pattern wide sterling band, 18k bezel, trimmed with 14k gold berries and leaves- the leaf opposite the one shown is slightly larger. Ruby is 8mm round rose cut.
I actually took the pic when the rain started because I thought the raindrops would match the pattern on the band. I sort of like the photo.


By "For My Sweet Daughter" 
About this piece:

Family

How could you not be inspired by this etched copper bird on a wire family? I added the 3 lamp work glass beads to represent each of the existing family members and the egg in the nest is to represent that there is to be a new family member in the future. We are trying to have another child so yes this is representative of my own family.



By" Supere67"
About this piece:

Extreme Ice

The NOVA documentary Extreme Ice follows photojournalist James Balog as he documents the runaway melting of arctic glaciers. When I saw this documentary, I was struck by the beauty and colors of these endangered icebergs. They weren't just white - there were vibrant hues of aqua, teal, and turquoise. These colors are caused when the air in old ice is compressed out and there are no longer reflective surfaces to reflect the white light. (That is an extremely oversimplified explanation!)
In this necklace I tried to capture the colors of these icebergs as a reminder of their uncertain future. I chose sea glass and slag glass because their colors were so similar to the colors in the icebergs, and also since they have been tumbling about in the water for a long time, like the icebergs.
-Dark teal slag glass, collected and hand drilled by Val, Stone Me on etsy
-Sea glass in white and pale aqua, found and hand drilled by Tim and Tiff, Lake House Beach Glass on etsy
-Aqua sea glass chips, found by Sandy, Sea Pillow Treasures on etsy, hand drilled by me
-Snow quartz rondelles
-Moonstone rondelles
-Rock crystal rondelles
-Amazonite rounds
-Turquoise ceramic bead made by Mary Ann Carroll, Artisan Beads Plus on etsy
-White bumpy snowball ceramic bead, speckled blue ceramic bead and white with blue sprigs ceramic bead by Natalie Pappas, NKP beads on etsy
-White geometric ceramic beads and white round ceramic beads by Ingrid Mueller, potterygirl1 on etsy
Necklace displayed on a beautiful turquoise bowl made by Mary Ann Carroll's husband, Bill Perrine of Splitfire Pottery on etsy.
These are only a few of the fabulous entries.  Our winner will be announced next Monday!  Please be sure to check back to see who wins!
Are you ready to strut your stuff? 
Check out the sidebar for directions, and the EXCELLENT prizes for this month. **Remember, to give a description of your thought process, while creating your jewelry or beads/components. We really want everyone to share their creative thinking. And a description is necessary to be in the prize running.** Thanks, as always, for creating and supporting "handmade". 

Sunday, July 29, 2012

guest post - victoria takahashi



Hello, my name is Victoria Takahashi, and I like to make things! I am not sure what to write about today so I have let it organically happen in no particular order, I hope by the end it will be useful or even just validating that we all are not very different from each other. I just read a snippet from Mary Jane Dodd(MJD), something she had written earlier...

“Truthfully, I feel most comfortable when I have made everything from the bottom up...”

When I read these words it really struck me that I should start with her quote as it resonated so true with me. When she used the word “comfortable” It just made so much sense. When I make a piece and build it from the ground up I feel very proud. It begins with your original ideas, your personal physical & emotional skillset that you’ve acquired from your journey, and then to have this materialize into reality is a pretty amazing feeling. When I finish a big piece I usually feel very proud, a bit drained but in a satiated, satisfied, and “comfortable way” knowing it truly is a part of me! When I am working on a piece I usually will have a few other art projects going. I need to be able to break away when there is a lull to something else. If I do not have another to grab I tend to walk out and get distracted. I must confess that I am not as efficient in the studio as I would like to be, it seems to be my ongoing lesson with self-discipline. I often wonder how other artists can have their studio at home and not get distracted as I do, I’m looking for the magic juju, if you have some please share!

I asked MJD what she would like for me to talk about, she had mentioned my leather and metalwork, so to appease I will more than gladly blab some about it.

Starting with metal, it will always be my first true love, it’s crazy amazing stuff! I love to fabricate things, I love my pieces to have movement, a touch of cleverness and a lot of I’ve never seen that before. With the speed of how fast things move around the internet, I make it part of my creative goal to be original and it is very hard sometimes with the supersonic speed things move around the internets, to always be making new. It really is a love-hate aspect of using online as my platform, but overall it’s probably the best darn thing for me, as it keeps me moving forward!


I picked the name Experimetal for Etsy because I  love to experiment and play, I love working out a design problem for an idea, that is the best part of making that is like crack to me, it’s the most fulfilling aspect when you finally do figure it out! I generally do not like to repeat things I make, I like to keep moving forward so I am always focusing on one of a kind pieces. Currently I have created a small exercise for myself; it is making a series of earrings. I have been making a pair and then getting ideas while making one and then using them in the next pair. Almost like a progression. The picture above shows my latest favorites in this series.

I am inspired greatly by natural objects, I feel I have a bit of an organic and industrial feel to my work, I love old rusty antiques, tools to sticks, stones & bones! I am also strongly drawn to other cultures and their art. I have always a soft spot for crows in my work. I intentionally try and stay away from what is trending because I feel there are a lot of others doing it well and often enough and I do not want to add to the oversaturation of the latest thing.  I really want to keep my own voice true and on my path. And I am not saying creating popular iconic items is a bad thing, it’s just not the direction I am choosing to take. I actually feel we need these trends because it is connected directly to fashion in one way or another and we need to have people keep adorning themselves with beautiful clothes and accessories to be walking individual pieces of art! It’s another way for others to be creative with the way they present themselves to the world, it enhances a person’s sense of individuality!

I take a yearly trip to sit at the ocean’s edge, to renew and recharge. It is the trip I look forward to every year, a break from tv, computers, music, and all staticky noise in general. Just me and my significant other, our fur children, birds, waves and the wind with paper and pencil in hand is very much needed and appreciated.

I have found a new love with leather! I must confess this even to myself still. I am admitting to it fully and accepting it as part of my fate and journey. The below picture is a plaque I am working on to sew it onto a journal cover that I will make. I drew an Oni character from Japanese folklore, and then I added in some cherry blossoms. I still want to add a few more details and then we will very carefully dye all the tiny its’ & bits different colors. This one I am making for myself. And the below picture are my “bangles-banglettes” they’re pretty fun to make and a quick instant-gratification project, we need these too sometimes!
Currently I am making both jewelry and leather items. I really enjoy everything about this new medium, it has been very exciting I must say. I have been playing & learning as I go, I am finding myself very attracted to the “carving & tooling” aspect right now, I am trying to explore every aspect just like I do with metal. I love to have a large working vocabulary it’s very helpful for me to be able to pull from a well-rounded library, so I am just practicing and experimenting as much as I can, so far it is working out nicely.


  “The Question”

 “How do you pin the metal?”

I get asked this one particular metalsmithing question a lot, so I think I’d like to quickly address it here. First off I can only stress this point strongly, you must practice & experiment! You will burn things, melt them and fuse them together, so I advise not to practice on you most precious items first. You will find what works for you best. I only can tell you what works for me, everyone does things differently and all are valid as long as it’s safe J  I use a mini torch (propane/oxy) for pinning. There really isn’t a special “mystical trick” to this process. The best advice is to use a small hot flame “get in and out” as fast as you can. Wear your safety glasses or better yet a face shield, as things can explode; glass beads, pearls, stones, etc.  Eventually you will find what works with the tools you have. It’s as simple as that, I think the main factor is the torch and lots of practice!  Good Luck and please be careful!

So to end these words I would like to share a few more pictures of what I consider my more “art jewelry” work.



I hope I was able to share something with all of you that you might have related to or found helpful, thank you for taking the time to peek into my creative life!

Sincerely,

Victoria Takahashi






Saturday, July 28, 2012

this saturday is all about bead soup blog party #6 (and marcel duchamp)

mary jane dodd


most of you probably know what the bsbp is all about, but if you don't, it's worth taking a look at... lori anderson of pretty things is the hostess of this massive event ... participants are paired up, send out sets of beads and components to each other and then make finished pieces... this is rarely as easy as it sounds - which is all a part of lori's plan to help you stretch and leave your comfort zone!

this time there are a record 400 participants from around the globe - and 3 reveal dates... another fun/inspirational part of the hop is that you visit other blogs to see what people have done... the results really can be just so impressive... and you meet people you might not have otherwise... 

lori has a facebook page dedicated to this, a book coming out and no plan to stop (at least to my knowledge!)... 

while i am not participating this time around, i saw that stacie is and today happens to be her reveal day... 

if you haven't done this yet, i really encourage you to give it a try... if you have, or are participating in the current party - please let us know in the comments section!

today is also the 125th anniversary of marcel duchamp's birth - i wrote about his influence a bit here...

50 cc. of paris air

Friday, July 27, 2012

These are a few of my favorite things....

For those of you who know me, you know that every few months I have the opportunity to include my beads in a wood-firing. This is a pretty rare opportunity since there are a handful of wood-fire potters out there in the world. It's even more rare to have a wood-fire kiln built right in your back yard..... and even more rare to be able to include glazed beads in every firing. Most wood-fire kilns are very large and are designed to accommodate the work of many in one firing. Bill, my husband, built his kiln a few years ago to include mostly his pottery and maybe a few others depending on whether or not he is teaching a workshop. This latest firing was almost all his, since he has a big show this weekend. He did have a few other pieces in it and, as always, my beads were in it. Here are the glazed pieces getting ready for the door to be bricked up.


And.... the firing goes well into the night. Bill stokes the kiln about every three minutes for approximately 15 hours.


Here is the opening.... my favorite part!


And the first pictures of the beads..... these pictures do not really do them justice since I had minimal lighting.....





And there you have it.... one of my favorite experiences with creating....

What are your favorite creative experiences?

As always,

Thank-you for supporting those who create handmade with handmade,

MaryAnn
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