Showing posts with label PMC. Show all posts
Showing posts with label PMC. Show all posts

Saturday, February 16, 2013

A Little bit about Liver of Sulfur


by Staci L. Smith

Liver of Sulfur was the first chemical I used when I leaned PMC. It can be used to darken your metals for an antiqued look, or you can get color results with it too. Today I am going to show you a couple ways that I use it for antiquing.
First of all, even though I mostly use it to blacken my metal, I prefer it over Black Max, because its not as toxic or harsh. I try to keep my studio chemicals to a minimum to keep it better for the environment and my family. It may take a little longer to blacken then using Black Max, but for me, it’s worth it.

Liver of Sulfur comes in two forms.

 Lump form



Which come in pressed, concentrated dried lumps of the product.

And Gel form


 
 
First I will talk a little about the lump form.


1.  Preparing your Liver of sulfur :  It needs to be dissolved in water.  It works best with HOT water. 
I like to use a giant lump, because it gives faster and darker results.  So I do a whole bunch at ones to justify using such a large hunk.
When you get out your lump, do not get any water or moisture in your container at all.  Even the tiniest amount will ruin your entire container.  I really like working with the dry form of the product, but this is the downfall to it.   I have lost a couple of containers this way, and I am very careful.

So, using a tweezers I take a lump, place it in a plastic or glass container (that needs to designated solely for this purpose- do not ever wash and use for food purposes) and fill it with super hot, can’t touch it hot, water.

2.  Preparing your metal:  I give my metal a quick sanding with some steel wool, just the help the surface take the chemical treatment better. However, don’t do this if you are going for high shine.  Clean, non-greasy metal will take the patina better.  Metal that is shiny and very dense won’t take the patina as well.  And each metal reacts differently.

3.  Place your objects in the solution:  Here is my tub of goodies soaking.  (did I mention this is stinky stuff- you will want to use it in a well ventilated area…I do it in my bathroom and run the fan)




 
4. How long to soak them:   I use my tweezers to check on the progress of my pieces, it can take from 2 minutes to 15 minutes depending on how saturated your solution is, the temperature of your metal (hot metal takes the patina faster) and the density of your metal. 
I have found that there are issues when I mix metals in my solution.  So I try to do all bronze, all copper or all silver.  It doesn’t seem to get as dark when there is a mix of metals.
I have also found that bronze clay won’t patina well if it is tumbled to a high shine.  I also find that it needs to soak a bit longer, and will develop mostly after it is out of the solution.

5.  After your metal is done, rinse it well.  Some people use baking soda and water to stop the patination from continuing to develop, but since I seal my items afterward, I just rinse very well.  If it is a piece of jewelry, I usually wash it with soap and water too.

Here is that same pile of bronze after its rinsed.


After this I buff the high spots and or polish it and seal it to preserve the finish. This part is very messy.  When I do big batches like this, I often wear a mask while buffing so I don’t breathe in the dust.

6.  Liver of Sulfur can be disposed of in your septic system.  You can add baking soda to neutralize it, but it neutralizes itself fairly quickly anyway.

Ok, now for how you can use the gel version.  First, what I like about gel version is there is no risk of ruining the solution, since it is already mixed.  It also lasts for years.
You can use the gel the same way I outlined above, by adding the gel to hot water.  When I do it that way, I usually add just a little at a time until the solution seems saturated and nice and yellow.
Here is another method of using the gel. I use this often because I love the color you can get on your copper.

1.  Dip a Q-tip into the gel


2.  Rub the Q-tip onto your metal. I push down hard on it, like I am trying to rub it in.

 


3. Wipe off the gel from the metal.  I use a paper towel, and as it gets yellow, I use a new spot until it rubs off clean.  As I rub off the liver of sulfur, and am pressing down.  It gives the metal a nice warm brown tone to it.  I seal it soon after with either a spray lacquer or wax or both.  Please note this is messy, and you may want to wear latex gloves so it doesn’t get all over your hands.
 


 
4.  Here is what it looks like when it’s done.  The bottom photo shows two, the one on the left is antiqued and the one on the right is not.

 


5. There are also ways to apply liver of sulfur to create a rainbow effect, though I have never had success with these.
 
 

So there you go, just a little information on something I use ALL the time.  When you antique your pieces, and buff away the high spots, it accentuates your textures.  You can easily remove the patination by polishing or pickling your piece. 



Thursday, November 1, 2012

Dia De Los Muertos aka Day of the Dead

They are coming and they are going
and you see them passing by.
They are walking over here, they are walking
over there...these are the dead.  
How happy they are!

Today starts Dia de los Muertos.  Where people in other countries are grieving their loved ones, in Mexico the festivities are just beginning.  Offerings to the dead have been prepared and alters are finished being built.  I spent last Saturday working on an alter at Southwest School of Art in San Antonio, TX.  There I met local artist, Lorena Angulo.  When first entering the room one cannot help to notice the big alter that takes center stage and the smell of incense burning. Incense represents the physical to spiritual change and maybe keep out some bad spirits.
Lorena arranging a sugar skull.
Lorena also showed me how to make flowers out of tissue paper.  She explained that the colors purple represented grief or pain, orange represented the sun, and yellow represented death.  We talked about our culture, art, and many, many things.  What a lovely lady.
I was not there for the completion but here you have it.  Gracias Lorena for the picture!
Completed Alter at Southwest School of Art by Lorena Angulo
People have always said that I lean towards the macabre.  There is a quote that was put on Facebook yesterday I think explains a little as to why I do.

"While death burns the lips of other cultures, 
Mexicans are familiar with death, 
joke about it, caress it, sleep with it, 
celebrate it; 
it is one of their favorite toys and their most steadfast love."
~Octavio Paz

I have made a lot of designs in jewelry but am always happiest when making skulls.  A friend of mine last night actually told me that she thought my best work was with the skulls and why not concentrate on that alone?  Oh...would not that be business suicide?  Hahaha!!!
Who knows but I think I need to do what I love.

Currently I am having mucho fun at making these skulls and am in the process of designing more skulls of a scary kind.  These skulls are made from recycled Louisiana license plates, found objects, and tin collected from several places, Mexico being one of them.  Although a friend of mine brought the ones from Mexico on over.
Invasion of the TinSkulls!
TinSkull says to "Have Courage".
I was overjoyed when Maria Fomich of Adorn & Conquer said she would like to carry them in her gallery on Magazine Street here in New Orleans.  Yay!

Other artists also lean toward Mexican folk art.  Here are just a few of those Rock Stars...

Lorena Angulo's medium is precious metal clay, aka PMC.  I always joke on how everything she touches turns to gold!  I am surprised that her kids are not solid gold as well!  Hahaha!!!  Anyway Lorena migrates to her culture as well as I and has a passion for Mexican folk art.  Her pieces are fabulous!  More of Lorena's work can be found here.
Can she sculpt or what?!
Lorena 2012
One does not have to be Mexican to have the passion of Mexican culture and this is most evident in Amber Leilani Middleton's work.  Amber is a local New Orleans artist and works with paper clay to sculpt these lovelies!  BEAUTIFUL!!!
More of Amber's work can be found here.
Frida and Diego by Amber Leilani Middleton
Jesse Bert is an artist that lives and works in his studio in San Miguel de Allende, Mexico.  His inspiration comes from his surroundings and adventures of exploring Mexico when he is not in the studio.  He likes to incorporate recycled material or anything he finds while meandering around Mexico.

Introducing Ms. Catrina.
She was created using torch fire enamel on copper and recycled silver spoons/forks and other found objects.  More information about Jesse can be found here.  Ms. Catrina is currently at display at Thomas Mann's Gallery here in NOLA.
Ms. Catrina by Jesse Bert and Raquel Jasso
November 1st is the time that my spirit misses Mexico the most.  Last year we were in Oaxaca, Mexico to celebrate Dia de los Muertos.
A place to witness one of Mexico's celebrations in full swing.
Absolutely beautiful!

I would like to share a few pictures of Oaxaca during Dia de los Muertos...
Oaxaca, Mexico
Oaxaca, Mexico
Oaxaca, Mexico
So there you have it!  I could go on and on and on about Dia de los Muertos.  There is still so much to talk about.  Skulls are not just for Day of the Dead.  They dominate my life and decor all year round.  I even carry one on my shoulders every single day!  Hahaha!!!  I know...I have jokes.  Not very good one either!  Hehehe!!!

 Here is a picture of just one of my skulls in mi casa.  His name is Alfonso.
Named after the artist who made him.
by Alfonso Castillo
Muchas, muchas, muchas gracias Mary Jane for inviting me to be a guest post.  It is truly an honor.

Have a great Thursday or All Saints Day or Day of the Dead!
BOO!!!
facebook:
https://www.facebook.com/KalayaSteede?ref=hl

website:
http://kalayasteede.blogspot.com/

Namaste~

Kalaya

Thursday, February 17, 2011

Confused About Metal Clay?



This gorgeous necklace was made by Barbara S Fernald, whose work with metal clay and jewelry I very much admire. She lives on Ilseford, Maine, on small island with a winter population of only about 70 people. Much of her work is inspired by the island, it's beaches and the sea around her. She made all of the large silver beads in this necklace from fine silver metal clay using her own hand made molds and texture plates.

You can see more of her work at her website or her Etsy site. From her website you can follow her blog where Barbara generously shares her work and glimpses of island life. I find her blog a treat and always look forward to hearing about what she's up to.



So what is metal clay, anyway? I often see metal clay referred to as PMC. PMC (Prescious Metal Clay) was developed in the early 1990s by Dr Morikawa of the Mitsubish Matericals Corporation. Technically, PMC is a brand name. There are many brands of metal clays on the market now and many types of materials available, including fine silver, gold, bronze, copper, steel, just to name a few.

What all of these metal clays have in common is that they are composed of very fine microscopic particles of metal suspended in a non-toxic organic binder. This results in a plastic substance that can be molded, carved, shaped, pushed and prodded into many forms and in ways that would be difficult to achieve with traditional metal smithing techniques.

Once formed and dried, all metal clays are 'fired' usually in a kiln but some types can be torch fired. Firing is a little bit of a misnomer too. What happens is that the organic binder burns out and the particles of metal sinter (melt together) to form a final piece that is 100% metal.


This only scratches the very surface of metal clay. It can be a very technical medium, sometimes frustrating, but I always find it exciting to work with. The number of metal clays being developed is growing at a very rapid pace. It can sometimes be hard to keep up with!

There are many, many resources out there if you'd like to know a bit more about working with metal clay. Here's a few that I turn to frequently when I have questions. 







I'd love to hear about what you think of metal clay! If you've got any resources that you really like, let me know. I'll add them to the list.

Many thanks to Barbara for sharing her photos with us.

Thursday, November 11, 2010

Call to Create Artist

I know you all remember our Call to Create and the reward of participating ... just take a look at the cover of Handcrafted Jewelry in the sidebar ... you'll get all of those beads!  It's a busy time of year, but just knowing that you stand a really good chance of winning I hope will coax you into a submission ... actually since it's a random drawing, all of the pressure is off.  Just get something together, will you please? Remember, we're making handmade with handmade.  I want more eye candy ... more ... more ... more, which is what Kristi Bowman gave us with her beautiful submission.



Here's Kristi's description of the piece ...


PMC (precious metal clay) Lentil Bead Pendant made by Kristi Bowman. Strung with Carved Green Jade, pale Yellow Howlite Carved Rounds, Yellow Jade Lanterns, wood beads and faceted silver spacer beads.


Color is the first thing that attracted me to this piece.   Kristi balances the warm tones of the yellow, orange, and copper with the cool tones of the green and fine silver. Her composition is lovely.  She starts with an symmetrical design near the focal point and quickly changes to one that is dynamically asymmetrical.  The texture in the focal pendant is echoed in the beads and balanced by some very shiny copper!  A very lovely piece ... thank you, Kristi.


So next week, we'll be looking forward to profiling a new piece.  Schedule an appointment with yourself to make your entry ... because you know you want to win!  



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