boot camp - asymmetry in earring design

mary jane dodd

mjd

creating asymmetry in earrings can add great interest. 

there are different ways to achieve this effect - 

you can use the same beads/elements and arrange them differently on each one - 

or you can strike your balance with beads of similar size, 'weight' and color. 

when i am working this way in necklaces or earrings, i tend to view my work as if there is an 'x' present - checking to see if there is balance across the work and from top to bottom, side to side. 

in the first pair of earrings i merely switched the arrangement of the turquoise and amber. subtle asymmetry.

here, the ever inventive fanci shows how to create balance across the set. 

fanciful devices

she keeps the structure and size of the earrings similar but switches up her beads in terms of color and/or shape.

stacilouise

in this pair by our own staci, she kept her color scheme and scale consistent, but created interest with different shapes of beads and switching the arrangement of the discs from top to bottom. when viewed side by side, you can see how there is balance across the set when you are looking at it as an 'x'.

mjd

all of the same components were used in this example - i just changed the orientation of the accent beads from horizontal to vertical. the scale, color and shape are consistent. 

kate buxton - quisnam

i love how the eye moves in this pair - kate has balanced them across the set, keeping scale and color consistent, she plays beautifully with shapes. 

mjd

here i have played with the negative space on the left by filling it with chain and beads. on the right, a bead from the same set is used, but i have left the negative space open. 

janis kerman

this is a gorgeous example of asymmetry in earring design - color, overall shape and size are consistent. here the balance is more in the form of triangles - top and bottom of left related to center of right and vice versa. 

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i wanted to add some thoughts re: designing necklaces. i agree completely with the other women in the group about how weight is crucial. a necklace that stuns flat on your work table but slides all around your neck is not a successful design. 

developing an asymmetrical way of thinking isn't always easy. some people take right to it, others find it to be more challenging. if you are finding it hard to do, remember, even throwing in one bead of a different color or shape (with a similar relative scale) on one side of the design creates asymmetry. it does not have to be complex. it can be, but doesn't have to be. 

mjd

in my fiber necklaces, if you look closely, you can see that the neck piece has 4 different sections - all in the same color scheme. closest to the pouch, i have used threads with strung beads on one side and linen with accent beads of the same sort stitched to it on the right. 

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so have fun - whether your version of asymmetry is bold or subtle, it adds much interest to designs and helps you to define your own look.