Monday, April 30, 2012

Monday's "Struttin" Showcase


We had some great entries in Strut Your Stuff this past week!!

Go take a peek if you haven't lately!! 
  
Check out this great piece by Cathie Carroll.

KANJI IN BLUE

Here is what she had to say about this BEAUTIFUL piece.......

"Years ago I saw a handmade chain in a magazine and it's been lurking in the back of my mind ever since. I finally slurged on flat Sterling wire and then held my breath as I cut it up into small bits. I torched the ends and folded them over each other. I made a chain!
For my 1st handmade chain, I wanted something really special. The Kanji disc is a kitchen sink piece. I etched Chinese poetry. I liked it but wanted more age. I tried hammering which helped, but a patina bath and mica gave me the colors, pits, and marks of time that I wanted." 

Here's another patinated lovely from our own Mary Jane Dodd!  (Wouldn't these 2 pieces make a WONDERFUL set!!! )

Untitled
Untitled

" 'nature will bear the closest inspection.
she invites us to lay our eye level with her smallest leaf,
and take an insect view of its plain.'
- henry david thoreau -


Sunday, April 29, 2012

Guest Post - Lynn Ferro

Coming up with unique jewelry designs that puts yours on top of getting noticed is always my biggest challenge.  Sure I look at other designers to get some ideas and inspiration, but I take those ideas and create them into my own unique look.  I have discovered that it’s all about color combinations and the elements that you choose.   These choices have created for me a repeat customer base that I’m so thankful for.  It’s absolutely rewarding to have someone appreciate your work and enjoy it as much as you did making it.  

One of my most unique creations is the Bolo leather wrap bracelets on memory wire.  These pieces can take your imagination anywhere.  The leather can be a bit difficult to thread onto the wire, but I’ve discovered that buying top quality is key.  I came across Leather Cord USA which is a perfect vendor for unique leather colors and textures and the quality is top notch.  All of these pieces have sold and the customer feedback was amazing.  They are comfortable and you have color all the way around the wrist.






You can find Lynn at her Etsy shop Yucca Bloom.

Saturday, April 28, 2012

artist at work

mary jane dodd

jewelry stand by alba nelly urbina

while it is necessary to make well,

the importance of staging and photography is undisputed... 

alba (a.k.a. sparkafarian) of moxie metal is one i depend upon to help me with the tall second order...   


i have my eyes set on one of these - 


if you would like to see the artist at work, take a look at this -  








Friday, April 27, 2012

Hot out of the kiln!

by Kelli Pope

Have I introduced you to my new best friend?   We've had our ups and downs since we first met, but now the friendship is running along just beautifully!!!   I can't imagine now how I ever got along without her!!
As you can see, she's working right now......

This past week, I had surgery (doing very well, thank you :o), and have been limited in what I can do.  Sitting on the couch glazing beads has likely saved my sanity.   Here are a couple of the recent firings.
                     
Those nice shiny black beads & pendants were supposed to be "moody blue"... (guess we know what mood they're in, huh?)   Thank goodness I hadn't run a black firing yet, so this saved me the trouble.  Will just have to do without "moody blues". Gotta love those happy accidents!!
     
Lovin' the green apple beads!

And here's the stash to date, minus a few here and there that went into jewelry.  Hopefully, these will be joined by some lovely yellows and oranges when I open the kiln in the morning.

I rarely ever make pieces for myself, but the first red firing spoke to me.  And, I just can't seem to ever keep a red necklace.  It always finds a new home; with a relative, a customer, a friend...... Think I'll try to hang onto this one.

Thursday, April 26, 2012

Do you use a sketchbook?

Recently I was going through old sketch books attempting to identify so different patterns of creativity. I don't generally sketch out as many ideas for my jewelry or beads as I do work out ideas for my paintings and other work.

I found my sketchbook I kept in my very first jewelry class and was really taken by how much my ideas took shape over the pages. I thought I would share some from the very first project from my metals class took shape.

A large part of my senior thesis in painting had to do with birds. Here is one sketch where I was working out ideas for a painting.

The requirements of this first project was to complete a piece using cutting-and-piercing metal and any cold connections. Here you can see where I was working out different ideas for the sawed parts and various designs that did not make "the cut".

In between sketches, there were brief little pages of notes that I took in class or wrote down the names of artists whose work inspired me. A neat little hint that I wrote at the bottom is to bend wire solder at the end into a semblance of the shape of the letter rather than attach a label that will most like fall off before you finish the length of solder.

Here you can see my final idea and a tiny mock up I made beforehand. This specific professor often encouraged us to make models or mock ups before we began to help us work out specific design problems that might arise during the process. (That's a polaroid of me a friend took at the time! I can't believe I ever had hair that short!)


Here is an image of the finished pendant. I'm still not good at tube rivets! Finished piece: Copper,  Nickel, Cardboard, Laser Printed Acetate, Feather, Stamping, and Texturing.

After reminiscing through this old sketchbook, I'm excited to begin trying more mock ups and design sketches as I work on a piece.


Do you keep a sketchbook of your jewelry ideas? Do you sketch items out or make models to avoid potential design flaws? I'd love to hear if you do!

Wednesday, April 25, 2012

Spread Your Wings



Cloisonné by Debbie Parent
Art Jewelry by 2 Roses Studios
by Julie Holmes






Do you ever look around at the materials gathered, tools purchased, studio arranged, brand created and thought…well I’ve done it now; this is what I HAVE to do.  I have become a thingamabob maker and that’s who I am.  I thought that.  I wasn’t particularly having fun making settings, really just wanted to make cloisonné and so I started wracking my brain for other ways to present the stuff.  Debbie Parent of Apparently Art had some amazing cloisonné pieces on Grains of glass that were mounted in frames.  They’re gorgeous. (go look!)  I went to her website to look some more at her enamel work and to my utter astonishment found she also does wonderful stained glass work, watercolors, pastels, sculpture, beading. (go look!)  Is this allowed?  Can we do that?  Isn’t this coloring outside the lines, thinking out of the box…isn’t this against the rules?
Bad art by Julie Holmes
 ...and speaking of rules, I was once talking with John Rose of 2 Roses Studios and going on about how I’d seen a very poor attempt at copying a design of a well known enamel artist and how wrong that was.  John shrugged philosophically and said pretty much that the copy-cat hadn’t done themselves any favor by making a bad copy and that we all get inspiration from others. It’s the intention that’s important.  It’s been said that imitation is the sincerest form of flattery.  He’s right.  So, go look, use Pinterest and Flickr and Tumblr.  Visit art galleries and shows, talk to your fellow artists, take classes.  Get inspired, be inspiring. Make bad art. What you make isn’t who you are, it is how you express who you are, which is a fluid being, with a soul that wants to stretch and grow and experience.  Don’t deny yourself the opportunity to fully be.
I stretched from making cloisonné to trying my hand at something different.  I’m drawn to strong lines and vibrant colors….so I tried pyrography and painting on wood.  It was fun!  Fun enough that I opened a second Etsy store called The Waiting Place.  It’s what I do while I wait to figure out what comes next with the cloisonné, the sons growing up, the laundry that needs doing and the full time job of being me.  I hope you all try anything new you want to try,  follow your hearts without fear, they will always lead you back to what you truly love.



Pyrography and water colors

Tuesday, April 24, 2012

Guest Post - Birch Bay Kay


I am tickled pink to be invited as a guest on your blog. I enjoyed reading and learning from the others that went before me. There are four great aspects of your blog/group that appeal to my imagination: 1. Love, 2. My, 3. Art, and 4. Jewelry.


I LOVE textures and contrasts, and have always been visually drawn to patterns, repetitions. It might be more evident in my photography, but it’s also obvious when I look back on my body of jewelry.


Friends have suggested I make jewelry that appeals to the mass market and can be easily reproduced. As practical and helpful as they were, I was aware they didn’t understand the whole jewelry business, or rather MY whole jewelry business. I have a short attention span, and so seldom reproduce jewelry I’ve made and sold. I want to make a living, but there are other rewards I relish in addition making a buck. I know what flips my skirt, and trust there are enough out there like me who will gravitate to my hand hewn metal jewelry. I feel best when I’m true to MY own aesthetic.

My love affair with ART started as a toddler in a creative, artsy-craftsy family and continues today after 6 decades of art in painting, printmaking, photography, and jewelry making.


I became involved with metal jewelry back when my 13-year-old younger son was having problems at school. He was good with his hands, and so I signed us up for a 10-week Adult Ed silversmith class. I figured the one-on-one time during the drive to and from the class would be beneficial for my son, and he might get a self-esteem boost because of his manual dexterity. Tutoring and counseling weren’t helping him, so why not try silversmithing where he could use tools and a torch?

Owen was by far the youngest in the class, and received a lot of attention from the other adults who took him under their wing. It was a win-win. He was valued by others, he made some things of which he was proud, I enjoyed our closeness, and I absolutely fell in love with working in silver.


Since then I’ve thoroughly enjoyed creating in sterling, copper, brass and steel, playing around with different shapes, surface treatments, and the marriages of different metals. I used to do a lot of hot joinery JEWELRY pieces, incorporating gorgeous stone cabochons, but currently I don’t have the space or proper ventilation to use a torch. I miss reticulating silver, fusing and manipulating hot metal. I hope to remedy this situation, but for right now everything is cold joinery, and the use of beautiful stone beads. I make more earrings than anything else, and typically they are a mismatched match.


I also create fiber-wrapped brooches and neckpieces. The tactile qualities are endless, but my heart goes primarily to my metal jewelry.

I’ve written about LOVE, MY, ART, JEWELRY, but there is one last personal experience I want to share before I end this. MAGIC!


I love, love, love the adventure of cutting out a metal shape, manipulating it, allowing my inner Picasso full expression. But, there is a potent magic that comes into play when a person, usually a woman, a stranger to me, is drawn to my finished piece, puts it on her body and that same piece, that I know as well as my own heartbeat, transforms!


Alchemy occurs wherein the jewelry absorbs the energy of the wearer and visa versa, and becomes something totally different! The worn piece is enhanced in a way above and beyond what I created. This is a major rush! I have to admit that this moment for me is always one of WOW. It truly parallels birthing a child, nurturing and caring for it, and then that awesome awareness of him or her taking flight without you.

My life as a jeweler is most satisfying, entertaining, and there’s always something new and challenging to be learned!

Thank you for your invitation to guest on your blog. I loved the opportunity!

I have three Etsy shops:
Birch Bay Kay (jewelry)
KWest Studio 8 (photography)
West As the Crow Flies (stones, beads, vintage, African, some findings)

I write two ongoing blogs:

And … Birch Bay Kay can be followed on Facebook

Monday, April 23, 2012

The Monday Strut!!

Good Monday All!    Have you Strutted Your Stuff yet for April?    We'd LOVE to see what you're creating!!!
Here's what "strutted" this past week. Looks like the "greens" have it!! A little Spring
Fever, maybe???
   graysquash2
graysquash2  by Barbara Bechtel

Earrings inspired by the traditional form of the squash blossom.   

*hammered copper frames
*wire wrapping in sterling silver and copper
*hand formed sterling ear wires
*black labradorite

and from Supere67
spring green

spring green

Green is a color that evokes thoughts of new growth and fresh beginnings. Ceramic acorns and leaf on a ribbon bough reflect the colors of spring.
Ceramic beads by Mary Ann Carroll and Ingrid Mueller. Ceramic bead caps by Elaine Ray. Ceramic leaf by Karen Totten. Ribbon woven through copper chain.


and from our own Mary Ann........
Wood-fired bead Earrings

Wood-fired bead Earrings

These earrings were created using beads from a recent wood-firing. I don't always take the time out to create jewelry as much as I do components, so all of these earrings were fun to make.

Sunday, April 22, 2012

From Kiln to Design...

MaryAnn Carroll
Here are some pictures of the beads that came out the most recent wood-firing that I wrote about recently. I spent the other evening stringing these on wire for the pictures. I had two plates.... I'm just showing one.

This weekend I've been trying to create a bunch of earrings and possibly other jewelry without over thinking. That is a major challenge for me..... so I'm just getting myself in the zone and moving forward.... letting my hands guide me rather than brain....  That doesn't sound quite right, but for those over-thinkers out there, you get what I mean ;o)

The beads...






and the earrings....









And... as always, thank-you for supporting those who create handmade with handmade,

MaryAnn

Saturday, April 21, 2012

emerging from the fire

mary jane dodd


literally


and figuratively...


it is through the use of fire that i am able to best express myself... 

is there a medium or tool that if it were taken from you, you would feel as if you had lost your ability to speak?

what aspect of your work makes your spirit soar?

makes you feel like you have tapped into what you were born to do?






face
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