Reticulation Silver Experimentation

Carol Dekle-Foss

Rain has finally come to California. Hallelujah! The weather has been BEAUTIFUL. The rain has been coming down is soft sheets, and it's comforting knowing it's filling the empty lakes and reservoirs. I made a visual for you guys, so you can see just how bad the drought was. Look for the arrows showing a rock as a landmark. This is a park near my house that has a walking path along the South Fork American River. This river is one of the major rivers in California and flows from Lake Tahoe.

We are on the right path to putting a big dent in this drought. Thank god! It was heartbreaking watching its effects on the landscape and animals.

Okay, on to jewelry making! I wanted to give reticulation silver a try because I just LOVE the look. 

The texture reminds me of ridges and valleys of the earth's landscape. So beautiful! 

 I bought this 3" x 1.5" piece from Rio. It cost me about $3.80 per square inch. Not too bad considering sterling silver sheet in the same gauge is about $3.50 per square inch right now. They have another type called Crinkle silver. The texture is smaller, and it looks amazing, but it's so expensive! I guess it all depends on what you are making and how much you are willing to charge.

It's simple and fun to do. Here are some instructions from Rio on how it's done and what you will need. 

I only used half of the piece I purchased. It didn't shrink all that much like I thought it would, so you still get almost the same size metal to work with after its reticulated.

Here's a close up video of me doing the reticulation. I sped it up so it's less than a minute and plays one of my all time favorite songs by Katie Melua. Pretty cool watching the silver follow the torch flame! 

So yesterday, while I was getting ready to try reticulation for the first time, a video came through on my Youtube feed from Nancy T Hamilton. The title was "Fusing Silver and Reticulation on Copper". I thought, what perfect timing! I tried the reticulation on copper part so I could show you guys the results and do a mini comparison! 

I cut a piece of 20 gauge copper about 1.5" square and added little scraps of sterling silver. I also had to use a larger tip on my torch to get the silver to melt. Below is a short, less than a minute video of the melting process!

Here's how it turned out.

VERY cool texture. Its more wavy , sorta looks like tree branches to me. Here's a side by side comparison.

You can really see the difference in color. Also the one with the copper backplate has a bunch of teeny pitted holes. I think next time I will flux the backplate to see if that will help. Still, not a bad texture for metal that's already lying around the studio!

I've yet to create jewelry with these beauties because I've been busy opening a brand new Etsy shop for our ceramic pieces! 

I'm offering a 25% off discount through the end of January. Just use coupon code winter25. Etsy has a 'bug' right now, so my shop isn't offering Paypal as a payment option as of yet. If you would like to pay that way, all products are on my website, and the same discount code will apply.

Thank you for reading!

Inspiration and Evololution

by Staci L. Smith

It is no secret, that most of us who make beads and / or jewelry......LOVE beads and jewelry.

I am no exception.  So when Karen McGovern made these rings, I had to have one.

She made me one special, just for me....

(I added the wire to make it just a hair smaller so I could wear it on my pink.....i love it!)

She also sent me some of that wonderful aquamarine, and some citrine crystals too.  I was thrilled to have some, and I loved this design so much, I wanted to make myself a necklace to match.

Of course, I added some more rustic elements- mastadon bone beads.....and i  am not one for measuring, so, its a bit rougher.  However, I am so happy with how it turned out.  

I didn't measure at all, just cut some silver that looked like enough to fold up, made a few cuts so I could fold it, and added my beads, and worked it like a huge bezel.  I added some balled headpins on the ends to add the chain.  I love little cabinet curiosities, and boxes always always always had my heart, so this got the ball rolling in my mind.

I made another in copper, and then I made some shallow, large copper boxes, and added some large and small gemstones to make a sort of shadow box pendant.  I also made another silver one that is really rustic looking, not sure I love it, but it has sea glass and a fossil shell.

 I just love when another artist inspires me so much.  The process of watching a simple concept, like "box"  or "capture" evolve and change into many forms.  That is why I love surrounding myself with art.  I see color schemes that inspire me, or a texture, or a shape......and I have to try it in jewelry.  

What is Hill Tribe Silver?

by Julie Holmes

I love Hill Tribe silver. It has an ethnic feel to it, and a spiritual quality. I've seen the name around for a while, but didn't understand why it was called "Hill Tribe". ...so, I've done a little research and found this good information here:
Hill Tribe Silver Beads Story

The Karen tribe (Kariang or Yang in their native language) is the largest of the five more prominent hill tribes in Northern Thailand, where the largest city is Chaing Mai. As many as 500,000 members of 20 hill tribes in the region are known for a variety of skills, and most support themselves as farmers in this mountainous area. Early in the last century, these tribes were formed when people from Myanmar (Burma), Laos, Tibet, and China, emigrated to start a new life. Their numbers still grow slowly as people leave behind their previous homes for various social and political reasons.

The Karen hill tribe people have made a name for themselves with their expert skill as silversmiths. This craft is a generations-old art that in the 1960s was recognized and promoted by Thailand’s king at the time. Once channels for production and marketing were opened, it was only a matter of time for the particular appeal of these hand-crafted, pure silver creations to raise significant interest. Karen tribe members produce beads like these that are now sold through many avenues worldwide. These pure silver pieces have a natural, rustic-refined personality that draws quite a following. A few distributors have built personal as well as business relationships with the crafters, and take pride in these positive connections.

Hill Tribe silver is a fair-trade product, so the artisans are paid a fair wage for their work. This rate of pay is often called a “living wage,” since it allows for a healthy and sufficient lifestyle in the culture. As part of the fair-trade arrangement, the crafters are also required to meet international conservation and environmental-protection standards

Look at this beautiful Hill Tribe Silver ring from Overstock

And this beautiful bracelet by Mary Jane

Hill tribe silver is more "pure" than sterling, therefore it's softer and more malleable, but will also tarnish less quickly. You can buy it at Artbeads , and many other internet stores.

If you use Hill Tribe Silver in your work, please post your pictures on our FB page! We'd love to see it!

quick follow up to 'silver'

mary jane dodd

last week, staci posted an informative article about silver-filled (vs. silver-plated) wire, sheet and chain...

i have soldered the wire and thought i would show you the result... it's beautiful and there is no outward indication that the wire is filled with base metal... 

while i didn't finish the test, when i went to ball end with butane, the silver started to move, but not the core... the ball end will not be comparative in look to a sterling or fine silver wire ball end... the metals will end up mixing... different metals have different melting points, requiring different flame temps to work them... therefore you need to find the highest one needed for the job... 

rio grande has in its description that the core is 90% copper, 10% zinc (brass, more specifically a red brass)... silver has a melting point of 1760*, copper 1983*... a finer wire  would be able to be balled in butane, i only had 16 gauge... but you really have to play and do the experimenting... 

i do feel very strongly though that people need to know - and pricing should reflect accordingly... this new option should not end up hurting those silversmiths who choose to use their metal of choice - which is more expensive... on the flip side, it will allow those of us who may be working with a smaller budget to add more silver into our work - a very exciting prospect... especially in the area of having sheet metal available that way... 

it's like some of the innovations that are becoming available and rival traditional techniques... there is a riveting system which is terrific and makes setting rivets effortless... i think it is great, really... but there are those makers who will continue to set rivets from wire - this takes time and a developed skill level... and should add to the value of the piece... 

there are two sides to everything... so it's just something to consider... 

and i do love the silver-filled wire/sheet/chain - it's a great alternative... thanks to staci for starting the conversation...


just found this video @ rio -