boot camp - button & fiber closures

mary jane dodd

button closures are often used with fibers, where you create your loop on one end and secure the button on the other using overhand knots.

sounds simple and is.

but there are things to think about.

consider the fibers or materials you are using - 

will they hold up to the wear of passing a button through it over and over?

i tend to use non-metal buttons with fibers,

but feel perfectly comfortable using metals with leather or heavier cotton cording (2mm or so). 

look for strands that can catch or make closing your piece of jewelry difficult. threads and fibers can fray and split. 

i find that wrapping the loop with a finer thread (think embroidery floss weight) adds strength and durability. waxed irish linen thread is particularly durable. 

create a loop that is neither too loose nor too tight. 

you want your button to pass through relatively easily but without so much play that it will slip out of the loop.

i often use e-6000 adhesive to secure knots.

i will also opt for braiding the section of fibers that serve as my loop. again, adding strength but also compacting the fibers to reduce the risk of catching and fraying. 

buttons can add a really beautiful bit of detailing to your work. and the choices are great - vintage, natural materials and handmade abound on etsy. 

long necklaces are quite popular, but it is nice to have the option of adjusting them. i wanted to share a video with you that teaches how to make a secure sliding knot by kate drew-wilkinson. i use this knot with leathers and cotton cording as well.

thank you for joining us here at love my art jewelry - 

we're looking forward to seeing what you teach us in this boot camp!

loose ends

mary jane dodd

mjd - 2013

my work is driven by thoughts and feelings.

i came upon some words of rumi that resounded richly -

'the wound is the place where the Light enters you.'

mjd - 2013

where the Light enters, 

it heals and intensifies.

this results in a need

for its release

so as to share it with others.

mjd - 2013

loose ends 

can have purpose.

mjd - 2013

they are like a hand extended

or a rope thrown to a drowning person.

available and willing 

to anyone who needs them.

creating ties where none existed before.

texture boot camp -

mary jane dodd

piece of railroad track purchased at a flea market

this edition of texture boot camp is brought to you by a lipstick chicken, you know, a person who doesn't like to wear lipstick that looks like you are wearing lipstick (and so why struggle to find that perfect color at all, right?)... this aesthetic carries over into my work... as an admirer of the subtle i would like to show you how i add texture to my metal...

i find texture on things - like this old railroad tie... i was told how i could clean up the face - but why would i do that?

small bench top anvil

this anvil's finish did not hold up over time - but if you put metal on it and hammer, when you turn it over, you will find a lovely texture that is picked up by liver of sulphur or other patina...

with a pitted surface

did you ever mar the surface of a hammer? unknowingly, like before you learned that a brass head is better suited for striking metal design stamps? i did - and now i have a head that creates texture similar to the raw silk texture hammer...

'marred' hammer face

and finally i wanted to show you how i used patterned brass sheet - no rolling mill required!

tape the metal you are working with to the patterned sheet , hammer all over the surface evenly and...

viola!

my apologies on not having pieces finished with the patina to show the contrast - this was my first time down to the bench in almost 3 months and i don't have everything set up...