The Art of Failure: If at First You Don't Succeed...

by Sherri Stokey

Ever have one of those days?  Yesterday as one for me.  I couldn't wait to get home from work so I could work on a macrame idea that had been taunting me.  It was a totally brilliant idea, too; one that would revolutionize macrame knotting to be sure.  I've had this idea for a bracelet for a couple of years now and I can picture in my mind what I want it to look like, but no amount of mental problem solving has led me to the method for actually knotting the piece.  Until yesterday.  It started with a tiny little burst of "what if..." and ended with me mentally working through the entire design several times throughout the day.  I'm sure my "real" job suffered from my distraction, but some days are just like that.  And when I finally got home to my work board, this happened:

And no, this isn't what I had in my mind at all.  Not even a little bit.  I tried to salvage the session; you can see where I switched tracks after an inch of knotting on the bracelet.  It takes a while to get the cords all set up even to experiment, so once I decided I didn't like where this piece was going, I decided to make the best of the situation and at least try something else.  And guess what?  That didn't work like I wanted it to, either!  At that point it became obvious that the planets just weren't aligned properly or there was a blockage of the universe's karmic chi or something.  Whatever the reason, my mojo had flown the coop.

Yes, folks, you heard it here:  I fail.  Not everything I try works on the first (or sometimes second or third...) try.  Sometimes I can't ever get it to work.  Sometimes my skills just aren't on par with my imagination.  Want proof?

That whole project was a disaster from the start with the hundred-odd cords which ended up knotted and stuffed under the focal stone to fill the gap under it caused by the ugly, odd high bezel.  I did learn how not to do some things from the whole experiment.

This pink monstrosity was an attempt to work with Superlon's micro cord and for size reference, the metal frame is an earring finding.  It was tiny and tedious and just didn't work.  It was much better in my mind, I promise.

This hot mess happened when I was trying to work out my Zig Zag bracelet.  The curves were just awkward, so I abandoned the pattern and started trying out different curve methods.  At least this one has a happy ending, as I did finally work it out:

Sometimes my failures aren't even totally my fault:

Okay, I guess technically I did leave my cord hanging off my work board onto the carpet where the vacuum could get it, but the poor bracelet didn't do anything to deserve this.  

And then there are some failures that are really heartbreaking:

This free form piece was supposed to be an entry for a collaboration challenge working with Laurie Ament who makes beautiful lampwork beads.  It just didn't have the "wow" factor I was looking for and I think it's because I started with the wrong colors of cord.  There just isn't enough contrast with the turtle and no amount of fiddling fixed it.  I haven't had the heart yet to cut it up.

All in all, there are about fifty billion ways something can go wrong and only a handful that work up into something beautiful, so I guess we need to be a lot more appreciative of the successes.  

Last night I finally gave up and watched Roots.  I'll take another run at it today.  How about you?  How do you deal with failure?

Not What I Planned, but it's ok

by Staci L. Smith

 

It is no secret that I love Lisa Peters Art's donut style beads.  You can see them in about 40% of my designs (ok- maybe not 40% but I use them a lot).  Lately, she has been making these flowers, and I hated to string them with wire the way I normally do with them, because it would have covered too much of the design.

 

an older design with the wire across the donut

 

 

I have great flowers like this one below that I want to use and didn't want to cover it up

 

I thought I would prong set them, but the copper and the silver were not co-operating.  The backing was too big, and it was taking too much heat- I have trouble getting copper and silver to work together a lot of the times.

 

 

So instead I came up with this design for prong setting, and it goes on the back- AND IT'S PRETTY...bonus!

 

 

It lies on the back like this

 

 

 

All but two of the prongs get folded around (after some antiquing and such) and the two on each side become the connectors to use it in your design. 

 

I had so much fun figuring this design out.  I was so very frustrated at first when I realized my plan wasn't working.  However, if it had, then I wouldn't have had this happen.  And once I get over the initial frustration- I do like a challenge. 

 

Furthermore, I botched up some of the spirals and pieces as I made them, so them these were born too.

 

 

They are squiggly little focal components that you can hang charms from.  Half are getting a fancy patina right now, and the rest will be antiqued and stuff.  They will be available at Bead Fest.

 

So, the moral of this little blog post is, if it isn't working out they way you had planned, run with it, it may turn out even better!