“Nestled in the loving embrace of
flame-warmed copper, colored to transport you to the misty Aegean Sea, a
droplet of Byzantine Amethyst glows with mulberry fire…. “ BLARF.
Writing descriptions for jewelry designs is hard. And sometimes ridiculous. Those of us with online shops know how mind-numbing it can be to come up with readable, detailed yet interesting descriptions for our designs that are also enticing enough to COMPELL the reader to hit the ADD TO CART button.
Writing descriptions for jewelry designs is hard. And sometimes ridiculous. Those of us with online shops know how mind-numbing it can be to come up with readable, detailed yet interesting descriptions for our designs that are also enticing enough to COMPELL the reader to hit the ADD TO CART button.
Books have been written on the subject. You can find online seminars about it. You can also find HILARIOUS examples of over the top, worthy for romance cover illustration descriptions on just about any selling platform. I will not link to any here, because I know how hard it is to write what is essentially a sales pitch to describe the work, and I know how easy it can be to slip from imaginative text to absolute drivel. I look back at some of my descriptions used early in my selling career and I am painfully reminded of the episodes of Seinfeld that featured the J Peterman catalogue. Remember the Urban Sombrero?????
Anyway, there is romance and emotion associated with jewelry. It’s personal, often given as a declaration of love or intention. It’s passionate and yes, dramatic. BUT, that doesn’t mean that every description needs to be a verbal teleportation to nirvana via a pair of drop earrings—or a hat.
 |
| "Devastating brim" made me squirt milk out of my nose...okay, it was wine, but whatever. LOL |
Here’s my take—First, I flesh out a simple description that answers questions the reader will have. What is it made of? What kind of metals? What are the gemstones (real names, please, no references to unicorn tears or sunsets on Jupiter), and is the design treated or sealed with anything? THEN, embellish. Tell a little story if you want about your inspiration in making the design. If you are a raging freak for turquoise, say so. If you found the gem or inspiration on a special trip or visit to the world’s funkiest flea market, mention that. If you wrote a poem inspired by the piece, include it. Bottom line, I believe that our clients enjoy—and appreciate—connecting with us on a personal level. Getting a glimpse of who we are, how we think, what inspires us—that’s not just a selling point, it’s authentically SHARING, which is what we do every time we create, right??? Use your own voice. If it sounds stilted or forced to you--it is. Mary Jane Dodd is the MASTER of using her voice freely in her listings. She writes gorgeous poetry and verse to go with her designs and I have been left breathless on more than one occasion. She is amazing. And singular. As in, I would never try to do that in a million years. As in, I am green with envy. Sigh. She's great, and just like what she writes, her works are so---HER. You know her work on sight, instantly. I just bought my first design from her, and the description reads in part:
"'earth is what we all have in common.' wendell berry
pearls for the sea
honey calcite for the sun
stones for the earth
and leaves, stitched in silk
this talisman started with the double sided stitched pouch - i wanted you to be able to keep that which you treasure close to your heart. or perhaps that which you need on any given day - a word, a stone, a picture. our needs change.
my stitch work is inspired by nature and mandalas
mandalas are symbolic of the universe and our relation to infinity
nature representing growth and the full cycle of life.
we walk the earth for a short time - to do so unawakened is tragic.
both for yourself and for all others.
you have gifts to share"
LOVELY!!! And bear in mind, not every design we create is epic. It’s perfectly okay for a description to read something like: “Copper patina disc earrings created with hand forged sterling silver ear wires.” THE END.
The design photograph takes front and center stage anyway. If your layout and images rock, the rest is icing on the cake, but you might as well make the cake as tasty as you can, right? Just not tooth-decay, nausea inducing sickly-sweet cake. More like a really good flourless chocolate cake....mmmmmm....cake. Wait, what were we talking about?
 |
| Beautiful homeless Free People |
Catalogues that jump to mind skating the razor’s edge of inspiring vs CRAP are Free People and
Sundance Catalogue. I love both. Visually they are stunning and
drool-worthy (I basically hand my paycheck over to Free People at least once a month). Occasionally the text and images are
just….too much. I know they are
representing a quasi-fantasy lifestyle (who are we kidding--it's total fantasy), but it can be a bit overwhelming. My husband refers to the Free People
catalogue as the “rich homeless people catalogue”. While it’s perfectly okay to make fun here, I
certainly don’t want someone feeling the same way about how I present my works. That would really bug me, because I am not like that. I try to be authentic in how I present and write about what I create.
But that is my opinion. I don’t live in a dream world of diffused lighting and I don’t wear artfully distressed leather boots with my flowing silk maxi dress (I prefer be-dazzled Keds with my formal wear). That being said, we are all offering a feeling along with our work--that's what art does. Art imparts attitude and emotion. I want what I offer to be real. I want my clients to feel like they “get” what I am trying to say with the design, and hear my "voice" in their head. It’s very subjective, and different for each and every artist/designer.
How do you convey your intent in the text associated with your work? Are you a story-teller or a bare-bones “just the facts” lister? What gets your attention as a buyer? Short and sweet or chapter and verse? I’d love to hear your opinions….
But that is my opinion. I don’t live in a dream world of diffused lighting and I don’t wear artfully distressed leather boots with my flowing silk maxi dress (I prefer be-dazzled Keds with my formal wear). That being said, we are all offering a feeling along with our work--that's what art does. Art imparts attitude and emotion. I want what I offer to be real. I want my clients to feel like they “get” what I am trying to say with the design, and hear my "voice" in their head. It’s very subjective, and different for each and every artist/designer.
How do you convey your intent in the text associated with your work? Are you a story-teller or a bare-bones “just the facts” lister? What gets your attention as a buyer? Short and sweet or chapter and verse? I’d love to hear your opinions….
