Wednesday, February 29, 2012

Who Doesn't Love a Challenge?

Today I am honored to be participating in Erin Prais Hintz's Music Challenge Blog Hop.

Here is what Erin said about the hop.


  • Participation is limited to the first 100 to sign up from February 1st-4th, 2012.
  • Decide on Your Song. Listen to it. Write your thoughts about it. Think about the words and emotions and mood and color and tempo that it evokes. If the lyrics are particularly important to you, find the lyrics and highlight your favorite phrases. Research the singer, the songwriter, the time period or the inspiration for the song.
  • Create an accessory of your choice that evokes that theme song. Any accessory is applicable. Art beads are encouraged, but are not required. Feel free to use your stash!
  • Find a way to share this song on your blog: write out the lyrics, tell us some background information, post a YouTube video of the song. This will be a great way to connect with new music and share your taste and help us see the connection between what you create and the song.
  • Mark Your Calendars: Blog Hop on February 29th

I was blessed to make it into this challenge.  I love to create based on inspiration, and music is such a deep and rich source for me, that I could not wait to play!

Here is a list of the blogs who are participating.  So take a hop and check it out/


Tuesday, February 28, 2012

Guest Post - Lauren Luquin

Jewelry from the Heart

Greetings.. My name is Lauren Luquin. I am so grateful that my friend Izzy asked me to contribute a guest post here at this lovely blog. Thank you ‘Love My Art Jewelry’ for having me...



I’d like to take this opportunity to share a bit about myself and what I do, with the intention of hopefully inspiring others in some way. My works are all about sharing in love and gratitude, and being true to myself as I evolve on my path, peacefully.





I am a married mama to 2 young children who constantly amaze me and challenge me to become more present and aware. After years of education and several jobs teaching the youth in public schools, I decided to stay home to homeschool/unschool my eldest and run my business. In August 2009 I opened my Etsy shop VisionWise, and started a blog as a way of expressing myself. Since then I’ve made lots of changes and transformed many times, and my business has grown slowly but steadily. I enjoy creating whatever I feel guided to make, but I spend most of my crafting time designing wearable art jewelry, and other spiritual medicine. The entire creative process of making my jewelry is guided from my heart-center and intuitive mind. The energy I feel permeates what I create, so I focus on love and healing... I write about the healing properties of the minerals, crystals, shells, and animal medicine I use, so that the deeper elements of what energy is being exchanged is known to the wearer, or anyone who reads my listings... This is a very important part of my creation process.

I’d like to share more about the deerskin cuffs I make because I have been thinking a lot about them and have the intention of creating lots more of them in March. My Etsy shop has been slowly running out of items because I’ve been deeply involved with my latest project- Intuitive Heart eCourse. Even though I haven’t been making as much stuff for my shop as I usually do, I know that my journey inward and my day-to-day experiences play a roll in the overall outcome of my creations, and that they will manifest in divine timing...

I use deerskin to make pouches, medicine bags, necklaces and cuffs. 90% of the deerskin I use has been given to me by other medicine people and lightworkers. The times that I have bought hides I have purchased from Native American Trade Posts that respect the animal’s life in ceremony. This is important to me because deer farming is not something I want to support in any way. Deers are sacred to me and I have learned so much from them. I love working with deerskin because it’s so soft and yet very durable, natural, and grounding.


When I feel drawn to make a cuff I get into a meditative state and burn white sage- purifying my workspace and giving thanks for the deerskin, and crystals, etc. I use: natural fiber sinew, a leather needle, a lighter, sewing scissors, a leather hole punch tool, and various organic beads. Sometimes I use recycled cotton fabric for the inner lining of cuffs, pouches, and bags.







When I begin handling the deerskin I envision the shape of the piece and begin to cut it out freehand. For cuffs, I use my own wrist and a measuring tape that used to be my grandmother’s to decide the length and width. Then I lay the deerskin onto the fabric I am going to use, and I trace around the edge, and then cut out the fabric. I punch holes around the edge of the cuff, then I get my sinew and needle and I sew on the beads of choice, and usually a coconut or abalone shell button... then I pin the fabric to the deerskin... and then cut a small hole on the opposite end of where the button is.


To start sewing, instead of making a knot, I use a lighter to burn about 3 inches of sinew into a hot waxy seal that I press flat onto the deerskin, paying attention to detail and trying my best to keep all of the seals concealed. I hand sew the entire piece and charge it with love and light... always. When I finish, I burn sage once again and move the cuff through the smoke purify it once again from any residual energies that it may have accumulated in my environment. I take great care to ensure that all of my items are passed along with the purest intention.

I feel healed when I follow my heart and create art jewelry using organic materials. It fills me with joy to share my works with others, and it inspires me to hear that my pieces affect people in positive ways. It is a beautiful exchange of energy that I am so grateful for.





I hope you’ll come check out my shop, and visit my blog... That’s where you can learn more about me, and contact me if you’re interested...

I’m also available on Facebook, Twitter, Pinterest, and Instagram. Here's more on my Intuitive Heart eCourse.

Thank you all for reading. Blessings on your path...

Much love,
LL

Monday, February 27, 2012

Its the Monday Strut..................

by staci smith


...................strut your stuff that is!

I am so happy that our very own Mary Jane added these to the group, because I really wanted to be able to feature them this month.  It's still February, and hearts are all around, but I really admire the thought and process of these.


This is what she had to say about these................

open heart

'only from the heart can you touch the sky.'
- rumi

and this one too.....

on love and rumi

'your task is not to seek for love,
but merely to seek and find
all the barriers within yourself
that you have built against it.'
- rumi

And I also picked this lovely work of art!  It an enamel piece by Zenamels, Julie Holmes, and I enjoyed the story behind it.

She writes......

Roam

This piece was inspired by my son's road trip. He's a grad student and he and his friends did their trip the college student way....little planning...economy motels...cheap rental cars. They had a ball. So glad we live where we are free to roam as we wish. I did this piece very off the cuff as well...the shape was drawn free-form (my boys say it's not unsymmetrical enough, that it looks like I was trying for symmetry and missed), the stamping was random and the finish is rough....but it's the way I intended it :)

Thanks for sharing!  There is still time to enter Strut Your STuff this month.  The winner will be announced next Monday.

Have a wonderful and creative week.

Sunday, February 26, 2012

Collaboration as a means of growth....

By Barbara Bechtel




It can be a very solitary existence being an artist. Most artists feel the need for a certain amount of solitude in order for their inspirations and ideas to take shape. However, it is also important to reach out to those around you as a means to either discuss art, exchange tips and ideas, and uplift and encourage one another during the peaks and valleys of creativity.

The internet has made a invaluable contribution to the way we are able to communicate with each other and forge new relationships and alliances. Add blogs to the mix and it becomes an exciting way to collaborate and exchange ideas. Before I began making jewelry, I found and participated in some other art/mixed media swaps and was immediately hooked!

Collaboration, whether it is online through blog hops/ round robins, or whether it is exchanging a piece of work back and forth with a friend in another town is a great way to push yourself outside of the box. By working thematically or working collaboratively on the same piece, each artist can help each other learn new things or overcome specific problems they are having in their own work.

Many times, you may even be introduced to a new medium, technique, or style that will influence and change the way you work! It wasn't until I first participated in Lori Anderson's Bead Soup Blog Party that I saw the potential of how such collaborations could help me with the solitude that a life being creative sometimes creates. Not only has participating in these types of exchanges allowed me to make new friends, it has even enabled me to connect with other people who live right in my backyard who I didn't know were there!
 
How do you use collaboration to help you grow in your work?
 
What ideas have you come up with to reach out and connect with other artist's and jewelry artisans? 
 
If you're interested in participating in an upcoming swap, Lori Anderson is hosting Cup of Bead Soup, an extension of her Bead Soup Blog Party and I'm very excited to be the first art bead partner! For more information, please go check it out.





Where are we?

Just in case, you have been wondering where else to find our group on the web, here is a quick reference guide.  We would LOVE to have you follow us at any of these spots!

Just click any to be taken there....

GOOGLE +






Or..... You might want to follow the....

where you can share to love of exchanging art beads while promoting your own blog at the same time.

Follow Silver Rose Designs so you do not miss out......

Thank-you for supporting those who create handmade with handmade.

MaryAnn

Saturday, February 25, 2012

metal stamping

mary jane dodd


one of the first techniques i tried was metal stamping... 

how hard could it be? you have a metal blank and hit the metal punch with a hammer on an anvil or bench block... 

right?

well, yes... 

and, no... 

i learned that you could get some very frustrating results... 

like double striking - you know that one, where you get a double image of the stamp... 

or the letters are drifting up (or down)...

or the character is sideways - because you didn't check that one last time to make sure it was being held correctly in your hand... 

when you make mistakes in stamping, it can be incredibly frustrating - you can be almost to the end of a phrase and get careless... the metal gets put into the recycle bag... but if you aren't able to cut your own discs, you have now lost one blank in your limited supply... 


like any technique, it is worth learning about... trial and error are always important learning methods, but the waste of time and money can be teeth gritting... 

double strikes - if you are using a steel hammer to hit a steel punch on a steel bench block there is a lot of bounce back... the energy has to go somewhere... for me, a brass head hammer has really been helpful... a softer metal, brass absorbs the shock... 

brass head hammers are also recommended any time you are hitting something steel - like when using a disc cutter... metal work hardens when it is repeatedly struck... eventually it can snap... using the brass lessens that effect... 

wonky orientation - draw a line with a sharpie marker, double check just one more time that the stamp is facing the way you want it to...

and find the position that works best for you... meaning, whether you are sitting or standing depending upon how high your work table is... it matters in terms of the strike... i have found that i really do need my elbow to be able to come to a 90* angle...  stamping is also not really a technique you can do on a plastic card table... you need some stability behind it... 


i hope these tips will reduce some of the frustration for you... because there are such fun and beautiful stamps out there to purchase... and it is a rather inexpensive way to personalize your work... 

if you want to be inspired by clean stamping, take a look at the work of cindy pack - she is a great example of one who knows her tools and the techniques by which you optimize their use... 


if you want to dap your discs, use a wooden set...


a great source (besides etsy) is beaducation ... 

Friday, February 24, 2012

"Your life is a piece of clay. Don't let anyone else mold it for you."

by Kelli Pope



Ta-da!!!!!!!! My first kiln opening was this week. BOY was I excited!!!!! No stuck beads, no blow ups, no meltdowns!! YAY!!!!!!!!!!!!!!!!!!!! Now I just have to make my own bead trees to maximize the space in my kiln.


Seeing your creation in the final stage is absolute bliss!!!!


"There are no happier people on this planet than those who decide that they want something, define what they want, get hold of the feeling of it even before it's manifestation and then joyously watch the unfolding, as piece by piece by piece, it begins to unfold. That's the feeling of your hands in the clay" - Abraham

Thursday, February 23, 2012

My mind is blank, but my hands are busy......

I am so sorry.  The Berks Bead Bazaar is next weekend, so all I can think of, all I am doing, is making beads.  Art beads require many steps, and I make many different kinds.  I am surrounded by tons of beads, all in some sort of bead making limbo...awaiting the next step.  Not to mention the whole getting ready for a show deal.  So instead of a fancy post, or deep thoughts, I only have pictures of what my life has been about for the past few weeks.
Enjoy!!!









I am wishing I had more variety for the show. But these will have to do.  I still have a lot to do to make all these into sell-able beads.  I am loving it though, and can't wait to design some new stuff after the show is over.  I need some new styles.  Not to mention its feeling like spring these days, and that always inspires me.  Ok- now I am rambling, blank to rambling.  Enjoy the pics (don't you love the organizational system of paper plates with writing as to what step needs to be done next?) and wish me luck. 


Wednesday, February 22, 2012

guest post - nan emmett


Thank you for inviting me to share a little about myself and my work on the LMAJ blog.
I've always loved making things and have experimented with a variety of materials and techniques ranging from crochet, sewing, knitting, painting, metalsmithing, stained glass, and ceramics.
Beading and ceramic bead making is a relatively new venture for me, however I have quite a long relationship with clay. An elective course in ceramics spirited me away from a painting major and I've never looked back.


                                           This is what I was making before beads-ceramic rattles

I think clay is one of the loveliest materials, there is no end to the things you can make with it,and it readily accepts the mark of your hand, something I find especially beautiful.
My beads and pendants are created from a variety of clay bodies,earthenware ,stoneware and sometimes raku,  which are quick bisque fired, in little Skutt kilns. The clay pieces are then glazed with a layered Majolica type technique and returned to the kiln for the final firing.
                                             
Most of my past ceramic work would fall into the sculpture category and I think that carries over to my clay jewelry components, as well.

    Bisqueware

Glazed

I've often described my work as possessing a Wabi Sabi quality, though I'm not certain if that is exactly correct, perhaps it's more about embracing spontaneity, not over thinking the piece. I try to feel what the pendant wants rather than having a mapped out plan, and if things turn out a little wonkie, it's ok.
There is something very delightful about the imperfect. An unexpected, irregularity excites the eye and compels you to look closer. Imperfection holds a little bit of magic, and I hope I can bring some of that magic into my little wearable works of art.
----------------------------------------------------------------------

you can learn more about nan at these places:








Tuesday, February 21, 2012

guest post - riki schumacher


Whom teaches who?
By Riki Schumacher

When asked by one of the amazingly talented contributors to Love My Art Jewelry blog, to write a post
as a guest artist, it was kind of a struggle to think about to say. What inspires me, what story might be
interesting to you about my life as an artist?

A journey, or an opportunity, or maybe a process, were fabulous suggestions. And after this recent
weekend’s experience of teaching, it flashed on me that I could write about all those things, and hopefully
you will find it useful.

I would like to share little insight about the “journey“of going from student…to instructor, and what I
learned from it.

Here are some pictures from this weekend’s class I taught with another instructor.
I hope the pictures speak a thousand words. Teaching is amazing!

Here’s a mom and daughter team.


Already friends.



Making new friends.



How have any of these students gained by taking this workshop?

I don’t know what each one did for sure. But from these smiles, they were having a ball. I can share what
I took away. Each and every time I teach, I am reminded of how important it is to “pay it forward”. After
about 12 years of traveling, taking workshops, and soaking up every blessed word I could from endless
instructors, it is finally a wonderful time to give back to this amazing industry. Making Art Jewelry is my
passion and teaching it is incredibly rewarding.

After taking classes with lots of instructors, you start to have your favorites, and your not so favorites.
From each class you have taken, did you walk away feeling the teacher was impartial? Did you learn
what you hoped to, in numerous ways? Did you have a blast? Were you disappointed for some reason?
Or were there too many students so you never got the attention and help you needed after traveling and
laying out much money?

I have had all of these things happen to me. And now, since teaching a couple years now, I try to reflect
on how my instructors shared, and how giving they were/are. I’m trying to learn from what I think were
their mistakes, which didn’t happen often. We are in an interesting and opportune period I think, this
day and age. There are thousands of baby boomers retiring every day, and given an opportunity to seek
out what they want to do in their leisure. I understand many students are not retired, and have limited
time to access classes. But, there are a lot of women, and men, following their passion from their youth,
whether they are retired or not. That means there are more opportunities to teach. That’s why it is really
important, to me, to get it right. After retiring from my profession of 20 years, I ran to the nearest jewelry
workshop I could find! I felt like a little sponge, soaking up every word that was fed in, and wanted to
master every technique I could wrap my little brain around.

So if you are a teacher now, or considering a career in instructing to the craft world, the main thing I
would like to stress is how rewarding it is. I learn so much from each class I teach. I gain as much, or
more, than the students. I am so grateful that each student has put their trust in me for one or two days,
and I know that they expect me to deliver as advertised. Each person in a class, paid good hard-earned
money to learn what techniques I promised to share. And not only learn techniques, but be made to feel
welcome and have fun. How can you possibly live up to all the expectations of each student?

After all the classes I’ve taken, and all the instructors I have learned from, as well as my history as an
instructor, here is my two cents on a little recipe for success in teaching. A little dash of each, leads to a

fabulous gourmet class!

listen
laugh
say it
show it
be passionate
you can’t be perfect, stop trying



If you listen as much as you talk, you will answer all their questions. I often tell my grand
daughter, open your ears and shut your mouth. She doesn’t but that’s okay, she hears it!

If you are having fun, they will. You set the tone of the class.

If you are practiced and honed your craft, you can demonstrate each technique with ease, 
and explain it well.

If you believe in what you are doing, they will share the passion. Be sincere in your intentions.

And don’t act like you are perfect. You are going to make mistakes so embrace them. We all learn
from mistakes, and who needs the added pressure?

And for people taking workshops who are reading this, let your instructor know what they did right, and
where they really kicked it in. Feedback is so important, we will learn from that, hopefully!

This can be a successful recipe for on line and e-workshops workshops as well. As an instructor, you can
bring all these elements to your students on line. You just can’t reach out and touch them. But you can
share equally, and deliver the same quality of teaching as if you were there in person.

Look at yourself; look at the way you instruct.
Would you want to take your class??

Happy instructing. And have fun attending workshops. Have fun doing what ever you do.
You really never know if you’ll be here tomorrow.

Love and hugs,
Riki

-----------------------------------------------------

you can learn more about Riki in these places:


etsy shop (where you will also find tutorials)




Monday, February 20, 2012

Strut Your Stuff Monday

by Staci L. Smith

This week I want to highlight these great earrings from our Strut Your Stuff monthly flickr group. 


This is what Vintajia Adornments has to say about her great rustic earrings.


Strange Attractors

Mismatched earrings with white and rust coated polymer clay. Salvaged pewter bail, rhinestone, vintage tin bead caps

 These stood out to me for many reasons.  First, I myself have been working in polymer clay with faux finishes, so, the fact that these rusted beads are polymer drew me in right away.  I haven't seen anything like it before.  Second, I think its wonderful to incorporate recycled pieces into new jewelry.  It takes creativity to visualize an old component in a new way.  And last but not least, I am always drawn to contrast.  The white and rust beads are mis-matched and look like a before and after, and the rust contrasts the bling of the crystals.   Great pieces.


The next one I want to highlight is a piece by our very own Mary Ann Carroll of Artisan Bead Plus.  Every bit of this bracelet is handmade by her.  I just kept coming back to this piece.  In case you missed it, you can read her blog about it here.
She punches and sands each disc, enamels layers and layers until she achieves the perfect look, and then made her own clasp for it, before finally connecting them all with original and rustic style wire wraps.  Its a great piece, and a great example of handmade jewelry from beginning to end.


In other news, the Art Bead Love Tour is moving to its new home with Silver Rose Designs.  
Remember to keep trying, and maybe you will be the next stop on the Art Bead Love Tour!

Happy Monday!


Sunday, February 19, 2012

guest post - stacie florer


"Don't ask what the world needs. Ask what makes you come alive and go do it. Because what the world needs is people that have come alive."  Howard Thurman

But first, let me start off this conversation by introducing myself. My name is Stacie Florer, and I have been exploring my life via jewelry fabrication for about 6 years. Exploring my life is a strange way to describe making jewelry, but I am a huge believer in using a creative craft as a vehicle to know yourself better-- to be able to drive into my passions in life using beads, wire and sheet metal as my getaway car has allowed me to visit the land of Photography, an ever changing landscape depending on my moods, and process what I learn from these visual trips via the written word.

When I first started out exploring jewelry fabrication, my only thought was that I knew I had to relieve the ache in my soul yearning to create something with my hands and my heart.  I was in Seattle, WA visiting a friend of mine, and she had recently taken up beading. She took me to a big, old bead shop, the sort where there are treasures hanging from every available spot and the incense is constantly being burned. It was absolutely overwhelming to look at it all, but the vibe was such that I instantly recognized that beading was an activity that would begin to heal my soul's ache to create.

Beads are the gateway bling, for lack of a better term,  into the world of jewelry fabrication. There is a bead out there that will perfectly express your feelings about yourself, your life and your interests.  I was attracted to all things tribal. Bone beads, Krobo beads, trade beads, Hill Tribe Silver...there was literally a whole world of beads that allowed me to express my love of the tribal and primitive. If your bent is on antiques, there are a whole host of beads for that such as Czech glass, vintage buttons and rhinestones. Or what about glass? Lampwork beads are always going to be hot...who can resist those candy colors and fun textures? Glass lovers are usually fun and colorful too, aren't they?  The beads you are attracted to are an indication of how you perceive your life and yourself. They are literally extensions of the unique and glorious you, and you can continue to go down the rabbit hole of self inquiry by exploring your world via beads.

But for some of us, there comes a time when beads are no longer enough. We crave more expression by our own hands, and maybe the next step is working with wire. Wire involves using a few more tools and if you have never been exposed to tools before ( I was deathly afraid of an electrical bead reamer), the urge to create brings up some fears too. Fear of tools is very common when you are beginning. Fear of tools, I believe, has stymied many a jewelry designer from taking the next step in their urge to create. I can say from experience that a love for tools, which are just extensions of your hands and eyes, will come if you keep pushing through those fears. See? This is but one of the deeper qualities of exploring you that I am talking about. Overcoming fears enables you to gain confidence in yourself. That confidence spills over into every other aspect of your life. You start looking at tutorials about difficult wire weaves and have the confidence to try it. You are growing and expanding! Pretty soon, Home Depot will start becoming a favorite place to shop instead of the department store!

The journey doesn't end for some of us with wire, though...next comes sheet metal. Cutting, sawing, etching, sanding and soldering are next up on the "learn to do" list. The fever to create is running high. The need for self expression gets stronger and stronger as you gain confidence. By now, you have gotten quite a bit of experience with your digital camera, and maybe are starting to photograph your life outside of jewelry.  The two start to merge somewhat. At least it did for me. I started seeing my world differently. I paid attention to what I was interested in...shapes in my environment became inspiration for my metal work.

When you pay attention to your life, your own style will begin to take shape. The trick is to go within yourself by noticing and acknowledging and accepting that what you love will find its own audience. There is inspiration all around you. All you have to do is take some time, with your pen or camera or scrapbook (or whatever you use to collect images and ideas), and watch what you come up with; notice patterns!  And most importantly, trust with your heart that your way of interacting with the world is singular, and that is the most precious gem you have in your collection. It really is all about you and what makes you come alive!

For more about living from Soul to Substance, I have a rather longish post about my own awakening here.

---------------------------------------------------

to learn more about stacie, you can visit her website... 

Saturday, February 18, 2012

on hearts of all kinds...

mary jane dodd


like so many of you, hearts were calling these past weeks... 

i am attracted to hearts that show wear and tear... hearts that are mended or need mending... 


hearts that show that you are living and taking chances by loving deeply... 


hearts that though they have been put to fire, come out softer and more giving than before... 



and now for the winner of erin's generous giveaway


congratulations sue of sue beads! please contact erin to receive these lovely charms... 

Friday, February 17, 2012

My enemy, my friend

by Kelli Pope

In my journey to make all handmade components, I fell in love with ceramic beads, and started making my own. As you may recall, I got VERY excited last summer when I was able to invest in my own kiln. (I had a WONDERFUL friend who had been firing my beads for me, up to that point.) The kiln has been calling to me for months! But with shows and special orders, Christmas and work, I just haven't had a chance to stop and make beads to fire.


Finally, last week I spent the entire weekend at my sister's, buried myself in clay, and made beads, beads, pendants, beads and more beads!!! SO EXCITING!!!!!!!!!!! I couldn't wait to get home on Monday and finally put my investment, my friend, my kiln into action and fire my very own beads!!

a few of my red clay beads and pendants


some of the stoneware creations and my favorite, the black clay


As I'm sure you can tell, all of my work (above is just a fraction of what I made) is still in the green ware stage. While I spent time with a potter a while back, did some research, picked Miss Mary Ann Carroll's brain, and learned some of the lingo, I was not prepared for the science that is kiln firing. I've read the kiln manual, and re-read the kiln manual. Silly me, I just expected it to give me specific firing directions..... "turn on kiln" "for bisque fire, set temperature to cone......." .... sigh... It was not to be. Looks like there may be some trial and error with temperatures and time. So, while I was so very excited to show you my latest work........ we'll just have to settle for the "green" stage for now. Hopefully, with a little help from my friends, and a lot more research, I'll conquer the enemy.. um.... I mean the kiln... and have some finished pieces for the next blog! Wish me luck!! I WILL prevail!! :o) And for all of you experienced potters out there, you have my utmost respect and admiration!


What obstacles have you had to conquer for your art?

face
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